Walking On Piano

Starring, KEVIN LLOYD REID - On opposite sides of the law, two brothers--a hardened cop and a rising gangster--are pulled into a spiral of violence that forces them to choose between duty, survival, and the unbreakable bond of family. Directed by Laurence Adams & Kevin Lloyd Reid, Assistant Director, Sam Matson and Director of Photography, Michael Chin.

Documentation of Lygia Pape’s 1968 performance Divisor - reactivated in the city of Villeurbanne (France) in October 2014. Commissioned by Institut d'Art Contemporain de Villeurbanne / Rhône-Alpes.

"What we were trying to do was the ultimate form of architecture, which was predicting how society would use space, land and time." Curtis Schreier, ANT FARM Space, Land and Time: Underground Adventures with Ant Farm is the first film to consider the work of the renegade 1970s art/architecture collective Ant Farm, best known for its iconic land-art piece Cadillac Ranch. Radical architects, video pioneers, and mordantly funny cultural commentators, the Ant Farmers created a body of deeply subversive multidisciplinary work that questioned the boundaries of architecture and everything else in the process. Incorporating breathtaking archival video, new footage shot over ten years and animation based on zany period sketches, this film is about the joy of creation in a time when there were no limits. —Beth Federici

A subtle and atmospheric designed-nature film, following a beetle traversing through its newly found home, intertwined with and supplemental to the free electro-acoustic jazz album of the same name, by Cristiano Calcagnile. Complex and accessible from and in many directions, it in-cludes its elements and their displacement along the elusive boundaries of a penetrating dance, that you soon give up wanting to define, and entrusts its appeal to complexity and countless perspectives.

Recorded at Auditório Ibirapuera in Sao Paulo , on 24 and 25 June 2006 , the album features the biggest hits singer-songwriter Lenine's career such as "Paciência" (Patience), "Jack Soul Brasileiro" (Since I am Brazilian), "Na Pressão" (On The Pressure), "A Rede" (The Net), "Hoje Eu Quero Sair Só" (I Want Go Out Alone, Today) and "A Medida da Paixão" (The Measure of Passion), plus new songs like "Tudo Por Acaso" (All By Chance). The album features special participations from musicians such as the Chilean Victor Astorga (the first English horn soloist with the Brazilian Symphony Orchestra), Cameroonian bassist and singer Richard Bona, Mexican singer Julieta Venegas, harpist Cristina Braga, the rapper Gog, and drummer Iggor Cavalera (ex-member of Sepultura). The DVD includes bonus material, plus making-of scenes, reviews, testimonials about the project, the guests and also footage of the 2006 World Cup, since the performance was recorded concurrently with it.

November 19, 1971, F Space, Santa Ana, California: “At 7:45 p.m. I was shot in the left arm by a friend”.

Marc with a C is the stage name of Orlando indie/DIY singer-songwriter Marc Sirdoreus and was formally a persona enacted on stage for over 20 years. This documentary covers their career using only filmed stage performances, interviews, and other video and audio releases published online by Marc or their audience. Made from a myriad of videos with view counts ranging from 15 to 30k, it chronicles their attempts to use music and lyrics to connect to and understand others, as well as their relationship to attention and performance as social media swallows up small artists to turn art into content.

A sincere portrait, and in first person, of the multifaceted Andalusian artist José Pérez Ocaña.

A sonic, surrealist narration in which the musicians fingers’ are the protagonists. Reflecting on common hierarchies and roles of the fingers when navigating through physical, digital and sonic realms, "Pinkie" is taking a perspective of deconstructing and reassigning them towards a queer, holistic reception of playing an instrument.

Matei, a young shepherd boy living in the outskirts of Romania, finds more comfort among his sheep than with his abusive, alcoholic dad. But now Matei is starting to mimic his father's violence, he's faced with a question: 'Who am I?'

Three women artists from Berlin collaborate on an exhibition sponsored by a biotech firm and end up being the first people to experience the fascinating symptoms of an evolutionary leap.

Through the voice of its founder Marinella Senatore, the video focuses on a few key themes of The School of Narrative Dance project. The artist describes how the nomadic school, founded in 2013, centers on the concept of "assembly" and collective creation which promotes an educational system based on emancipation, inclusion and self-cultivation. A school which continues to travel and has, until now, worked in more than 15 countries in the world and involved some 5 million persons including activists, both amateur and professional workers, dancers, choreographers, actors and poets in an atmosphere of shared knowledge. As the artist speaks, scrolling across the screen are images from the itinerant performance held in Naples in September of 2019.

Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.

Conceived as the fourth part of the series under the name future past perfect, the fourth short film of the row is the result of a long-term fascination with clouds, their movements, structure/texture, and their potentially infinite variety of forms. shot from the plane on various trips, the sequences of cloud imagery are edited and collaged in different ways to match the diverse qualities of constitution and behaviour of clouds. the short movie especially focussed on so-called stratus clouds, a category of clouds that usually appears rather flat, hazy and featureless. their visual quality as seen from above may imply micro and macro structures at the same time thus potentially deceives the viewer's perception.

sononda is the first part of the short film series future past perfect and was originally recorded in 2006. the series whose single fragments are supposed to be parts of a larger scale film project is designed as a row of conceptually independent movies that document nicolai's focus of interest of the respective year of origin and also builds up on the results of the movie(s) before. despite sononda's visual quality seems artificial at times, it was shot in a natural environment. the focus is directed on the sculptural quality of light. the correspondence of both music - with its low frequency modulations and merging soundscapes - and light play on the curved surfaces of the sculptural stone formations create an ever-changing atmosphere of concrete and abstract appearances.

unknit the ghost is a live show exploring addiction and cycles of trauma. The show combines live performers choreographed by Charlie Jimenez with projections by video artist Autojektor. Staged at PORTAL 002 - plantroom, Smeed Road, London - April 12th, 2025.

In the film "You Don't Need Feet to Dance," African immigrant Sidiki Conde, having lost the use of his legs to polio at fourteen, balances his career as a performing artist with the almost insurmountable obstacles of life in New York City, from his fifth-floor walk up apartment in the East village, down the stairs with his hands and navigating in his wheelchair through Manhattan onto buses and into the subway. Sidiki struggles to cope with his disability and to earn a decent living, but he still manages to teach workshops for disabled kids, busk on the street, rehearse with his musical group, bicycle with his hands, and prepare for a baby naming ceremony, where he plays djembe drums, sings, and dances on his hands.

A meditation on the female body as a source of both power and pain that focuses on the tragic figure of renowned American-Greek opera singer Maria Callas (1923-77), whose stunning soprano voice captivated audiences around the world in the mid-20th century while her life was wracked by scandal and personal suffering.

Dziga Vertov-directed Soviet newsreel covering: Connecting city and country, south and north, summer and winter, peasant women and worker women / Emancipation of women in the USSR

A gay man living through the HIV/AIDS crisis reflects upon his recent history of loss with the help of his grandmother, who tells him a story of her own trauma and loss during the Jim Crow-era South.