In a post-human world where dreams have vanished, a solitary woman wanders through silent cities, carrying with her memories of love and humanity that endure despite the desolation.
MAKRIA
In the wee hours of winter a night train travels through a sleepless city. This is a panorama of a Buddhist monk’s journey through Tokyo at night. He also stops at a bath-house in a capsule hotel, where he makes a brief encounter.
Two men and a woman form a triangle confined by a lighthouse.
This experimental short film explores the reconstruction and recollection of traumatic events through fragmented memories, using a non-linear narrative and a layered visual approach. The film emphasizes the penetration of montage, with an anarchic and chaotic tone that reflects both fun and disorder. The film brings to life concerns about how a woman moves, how she speaks, dreams, and how she is stripped of her inherent qualities by a society which continues to sexualize and harmfully perceive her. It visualizes a recollection of thoughts, dreams and memories, symbolically intertwining the characters experiences of their conscious with their subconscious.
Alone in the Light
Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.
Struggling with the move to Australia, a father concedes that he might not be the only one having a hard time with the transition.
A man breaks in a house, in which he never went before. However, he seems to got some memories of it...
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn't discovered for three years, and newspaper reports offered few details of her life - not even a photograph.
Journey through time filmed through the years of the eyes of Geovrz and through the light of experimental cinema
Suffering from isolation after a failed suicide attempt, April Egloff is on an existential journey to find a higher reason to live. Staring Jenny Hutton. Director Gigi Hozimah.
William, a respected artist who lost everything after his divorce, arrives in Montreal on a job prospect. When the job falls through he then is saved and forms an erotic friendship and exposes his soul with a young woman named Paulette.
Sometimes you’re at home with a friend and you tell them that if you don’t leave you’ll be late and the response is a crazy, unexpected and utter frenzy.
Echoes from the Cinema Novo, stylized in photographic compositional experiments and montage, in the encounter of a migrant woman with a man carrying a rifle in the streets of the big city.
A feral new mother who survives childbirth discovers her body has not finished birthing, forcing her into an animal state.
Fragments of memories of a boy's time spent with his sister and their grandfather in a remote mountain village. As events unfold, the grandfather comes of age, takes no food and disappears one dawn. Eventually, the daughter leaves the deserted village, leaving the son alone and recalling divorcing memories.
A young agoraphobic and megalomaniac scientist expresses a strong contempt for his fellows. Obsessed with a physical paradox he can't seem to solve, he decides to clone himself, since, according to him, only a brain similar to his can accomplish his work. After some time, the clone's presence becomes problematic...
After six years of estrangement, Gene returns home for Thanksgiving. In the events leading up to dinner, Gene attempts to reconnect with their sister and brother, both resentful of Gene's long absence, while the unwavering conservatism of their parents poses a challenge to Gene's authenticity.
Observing as the World Burns: Poems is an evocative, introspective short film that transforms lines of verse into raw visual poetry—confronting the dual forces of personal introspection and outward chaos. Anchored by cinematic performances, layered voice-over, and an emotive soundscape, the film embodies the tension between witnessing life’s unraveling and finding meaning within it. Rather than dramatizing action, this film immerses the viewer in the experience of attention—the act of watching, contemplating, and articulating what it means to be alive. At the same time, everything feels like it’s burning. It is both a cinematic poem and a visual diary—an invitation to witness, feel, and reflect alongside the narrator.