Sugnu Sicilianu

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

A burlesque short starring Amalia Aguilar. Part of "Joe Bonica presents the Movie of the Month" nudie film series.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A large immigration raid in a small Tennessee town leaves emotional fallout as well as far-reaching questions about justice, faith and humanity.

This is the story of Kaori Kawabuchi, a samurai sword performer, singer and motion capture actor. An inspiring woman keeping alive ancient traditions and spirituality in modern Japan.

70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.

A short documentary about the former judoka Marina and her Judo Club for People with Disabilities - "Fuji". Its brave members cope with all things Judo and real-life challenges, but always with a smile and the heart of a true judoka.

The Man Killers

Lost short film.

Young men are faced with a medical commission for army recruits and asked to choose where they want to get to, at least theoretically.

The 1966 visit of Hollywood movie star Kirk Douglas at the legendary Polish State Film School in Lódz.

A satirical look at the Soviet-block hairdressing contest which was held in Warsaw in 1971.

The camera slowly pans through a room as Smolders offers various observations and memories.

"Fire in the House of Trade Unions" is the sixth film in the series of documentaries "Winter that changed us" about the events of the revolution of dignity. The fire in the House of trade unions occurred on the night of February 18-19, 2014. Who arranged it is still not known. And this is not the only secret that the fiery tragedy hides...

Ivan and Jožica, a married couple, move to a care home after 70 years of sharing their lives. Despite the hardships of old age, they continue to live together in the new environment. Memories are fading, love remains.

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.