Swimming Lessons

Lily, a lonely young woman, meets James at a party. Together, they embark on a passionate love affair. But the relationship eventually comes to an end. Lily recalls the memories of her relationship and tries to explain what caused their separation.

Engine materializes Liz Harris’s self-confessed obsession with engine sounds from cars and trains, and noise explosions heard at drag races. For Harris, that is the sound of excess, power, sex, destruction, capitalism, and oil becoming an airborne pollutant. All the same those are the sounds of transformation, from which comes life. With an original film by Takashi Makino shown in the background, Engine is a large stage machine of guttural bass tones and constant revving up that mimics our heartbeat and breathing, and pumps the blood in our veins.

This horror machinima short by Alvin Soprano tells the story of little Lucy walking in on her recently deceased mother crossing over to the light.

About the life and work of the poet Sergei Yesenin, his connection with his native country, its people and nature. Childhood, love, painful searches for his place in the new, revolutionary Russia — everything found a place in Yesenin's lyrics. Frames illustrating Yesenin's poetry and poems are side by side in the film with episodes of the poet's biography: the film reflects the days of his stay in America, World War I, revolution and village round dances, a daring uncle, a wise mother...

Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.

A girl enters a photography studio for a shoot, but it is empty. On a chair, she finds a QR Code that transports her to another place.

A poet's muse calls on his inner child to save their relationship.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

The film follows Manuel Maria du Bocage, 18th-century poet, as he travels through the world from orgy to orgy and from excess to excess.

Based on the Edgar A. Guest poem of the same name, this is photographic ode to the American South, featuring representative scenery. Mendelsohn's "Spring Song" is the musical theme throughout, and Al Shayne sings an original song based on Guest's poem.

Another entry in the Edgar A. Guest's Poetic Gems Series.

A poetic Gem from Edgar A. Guest. This film features Al Shayne singing A Real True Pal by Frank Loesser and Lou Herscher.

An Edgar A. Guest Poetic Gem featuring the song Down the Lane to Yesterday with a vocal by Al Shayne.

An Edgar A. Guest Poetic Gem featuring vocalist Al Shayne. This film features the original song Back Seat Drivers by Loesser & Herscher.

An Edgar A. Guest Poetic Gem. Al Shayne sings the Loesser & Hersher song Don't Grow Any Older.

An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

The residents of Ho Chi Minh City face modernization amid widespread poverty. A retired American Marine arrives on a search for his daughter, whom he abandoned at the end of the Vietnam War. Elsewhere, a cyclo driver falls for a troubled prostitute and schemes to raise money so he can spend time with her. Additionally, a young women begins harvesting lotuses for a writer suffering from leprosy, and a child trinket seller loses his traveling case.

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.