Call Time

My Kieslowski

With an actor who can't perform and a dissatisfied crew, a film director tries to create an emotional scene for his film - but the egos involved present true obstacles.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

In just ten films, Maurice Pialat painfully rose to the top of the cinema, draining into his legend a mad demand for truth as much as memorable fury to achieve it. With "L'Enfance nue", his first feature film at the age of 43, the filmmaker immediately made his mark, this "art of making things authentic", according to Chabrol. But throughout an unclassifiable filmography in the form of an autobiography, from a break-up to his fatherhood in wonder, through the agony of his mother, the filmmaker does not get rid of the feeling of being misunderstood, despite international recognition.

Two young people arrive in New York to spend a weekend, but once they arrive they're met with bad weather and a series of adventures.

"A week before he passed away, my grandfather shared with me his former aspirations of becoming a filmmaker. After many trials, a narrow escape from the Nazis and immigration to the United States, the dream slowly but surely came true. surely passed out. After his passing, I discovered a treasure trove of dust-covered 8mm film archives that had apparently not been seen by anyone for at least a generation. Mesmerized, what unfolded before me was something something most people, myself included, had never seen before: the development and complete decline of the human body and mind. Motivated by my grandfather's unrealized cinematic dreams, I decided to reconstruct a film that he had already made involuntarily." Lance Oppenheim

A young lunatic director and his devoted cult of cinema terrorists kidnap a Hollywood movie goddess and force her to star in their radical underground movie.

Successful movie director John L. Sullivan, convinced he won't be able to film his ambitious masterpiece until he has suffered, dons a hobo disguise and sets off on a journey, aiming to "know trouble" first-hand. When all he finds is a train ride back to Hollywood and a beautiful blonde companion, he redoubles his efforts, managing to land himself in more trouble than he bargained for when he loses his memory and ends up a prisoner on a chain gang.

A famous superstar needs to renew his driver's licence, and the motor vehicle inspector is a die-hard fan of his, but a series of misunderstandings causes a great deal of friction.

After moving to New Jersey, Lola bags a coveted role in a school play, which earns her the wrath of Carla, the most popular girl in school, who will do anything to ruin Lola's life.

Iranian film director Amir Naderi talks to Zar Amir Ebrahimi about his career in this documentary directed and produced by Ebrahimi and broadcast by BBC World Service and BBC Persian. Amir Naderi is one of the most influential figures of Iranian modern cinema. He was born in 1945 in the Persian Gulf port of Abadan. Orphaned at an early age and living the life of a street urchin, Naderi had to survive by selling ice, working as a shoeshine boy and recycling empty beer bottles. He developed his knowledge of cinema by watching films in the theaters where he worked at a very young age. He began his career by taking pictures for some notable Iranian features. In the 1970’s, he started directing his own films, and made some of the most important movies of the New Iranian Cinema. After moving to New York in the early 90’s, Amir Naderi continued to make films. They have premiered at the Venice, Cannes, Tribeca, and Sundance Film Festivals.

Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.

Film clips and interviews with biographers and colleagues chart the prolific, six-decade career of maverick actor-director Clint Eastwood.

The adventures of a young woman who moves to New York City from a small town to become an actress.

This feature-length documentary brings together six of the rare television interviews given by Gilles Groulx between 1966 and 1983. Through these interviews, the filmmaker's ethical and aesthetic concerns are revealed. A striking coherence emerges in his thinking regarding his conception of cinema and the role the filmmaker should play in his culture and society.

Lily has saved up a large sum of money to fulfill her dream of studying acting at an American university. On the day she receives confirmation that she has been accepted, her dysfunctional mother returns to Lily's life and tells her that she has a huge debt that needs to be paid off immediately. In one day, Lily tries to find a way to help her mother without using her savings. Lily is faced with the choice of buying her future and remaining a bad daughter, or letting it go, bending to the needs of others.

Elena wants to record her song in a good studio. Desperate, she reconnects with an old privileged friend to ask for the money.

On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California.

Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick.