Dil Ki Baazi

When he experiences chest pains, hopeless hypochondriac Bhagwant checks into the hospital for a checkup and overhears his doctor discussing the diagnosis of a terminally ill patient with an associate. Assuming he is the one scheduled to die, he asks his friend to help him find a new husband for his wife Priya so he'll know she won't be alone once he's gone. He locates Priya's old college beau Fernandes. Meanwhile, Priya mistakes her husband's machinations for an attempt to cover up an extramarital affair and throws him out of the house.

Durgadevi rules her household with her brother, Makhanlan, and treats daughter Shanti worse than she treats servants; her other daughter is Roopa. When the younger women are approached for marriage, Durgadevi refuses.

Karan hires Lata as his secretary and asks her to move to one of his cottages with her family. However, things take a turn when she is accused of stealing a valuable necklace.

Upon completing medical school, young, idealistic Dr. Anand Kumar (Dev Anand) moves to a small village intent on making a difference. Unfortunately, he finds that life sometimes gets in the way of principles. After tragedy strikes the doctor and his new bride (Mumtaz), his bitterness drives him to pursue wealth and power, transforming him into the type of man he once despised. But in winning a fortune, has Anand lost the love of his devoted wife?

Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

Chandramukhi, the city educated daughter of the village zamindar returns to Ramnagar, a typical village. There she meets her childhood friend Birju aka Brij Mohan. He has a lovely voice and she encourages him to pursue singing. Eventually Brij and Chandramukhi fall in love, but Chandramukhi's father cuts it abruptly and sends her to Lucknow. A short while later Brij arrives at Lucknow. Gitanjali, Chandramukhi's friend, is thrilled by his voice and helps him get a job at Aakashvani through her father. Brij returns to Ramnagar to ask Chandramukhis hand in marriage but is once again rebuked. He returns and goes on to become a great singer in Mumbai with Gitanjali by his side. All through he yearns for Chandramukhi as she yearns for him. How he manages to marry her forms the rest of the story.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

Suraj and Jugnu fall in love while studying at the same college

A naive bullock-cart driver falls for a traveling dancer.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

The story is about a priest, Father Ferriera, who unwittingly becomes a witness to the rape and murder of a village woman by the rich man of the village, Chandulal Seth. Father Ferriera is framed for the crime by Chandulal Seth and is sent to the jail instead. During the jail time spent Father Ferriera develops a good friendship with some of the jail mates. On release from the jail, he along with his former jail mates decide on taking revenge with Chandulal Seth who is now one of the richest jewelers of the world.

Vikram (Mohammad Iqbal Khan) and Ajay (Anuj Sawhney), and an accomplice, John D'Souza (Paresh Rawal), become prime suspects, and are on the run. They must apprehend Chindi and recover the crown to absolve themselves of this crime. While being chased by security guards, the trio crash into a wall, and are transported back to the 10th century, straight into the palace of Emperor Babushah himself.They realize that only a miracle can get them back to the 21st century.

The grouchy Makhichoos, whoe hates Diwali, is digging furiously in the Dholakpur forest searching for a demon. Soon the demon emerges from the roots of a tree. Both the evil witch and Makhichoos plan to build a new kingdom on the eve of Diwali and teach Bheem a lesson. While Bheem and his friends are preparing for the celebrations, Chhota Hanuman also comes there to be a part of the festival. But something worse happens; Makhichoos and the evil witch kidnap princess Indumati. Will Bheem and Hanuman together rescue Indumati and triumph over the evil.

A newly constructed mall is suspected to be haunted when a few workers are mysteriously killed during its construction. Vishnu, a security guard, unveils the mystery behind the mall's dark secret.

The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.

Anu Menon: Wonder Menon

Award-winning Indian film drama. Said to be the first Indian film to comprehensively focus on Indian trans people, with the entire story revolving around two trans women and a gay teenager's attempts to seduce a man - Samir. The film explores the taboo subject of trans people in India, which is still much misunderstood and ridiculed.

Four women — a travel blogger, her friend's biker granny, a makeshift mechanic and a young girl set to be married — ride to the highest motorable pass in the world on an extraordinary journey of self-discovery.