The Betty Boop Limited

A short Estonian animation about a rabbit who creates a mechanical being that struggles to navigate a frantic, pop-art world.

An animator finds himself trying to explain his (lack of) artistic vision to his creations, who just aren't impressed.

Lena is nine-year-old. One day, she spontaneously makes an act of love that will change her life. She will take care of a plant. An action so simple yet unusual that nowadays only children could instinctively do. Will this revolutionary gesture change the future of our world? In a blurry society made by technological progress and innovation, can a simple action become a revolution?

Short discussion between two friends about a strange man they used to know.

Iranian claymation. In the middle of spring, a pair of majestic white herons enjoys the abundance and tranquility of spring. Until autumn arrives and circumstances lead the birds to a hidden swamp, where fresh food and warmth abound, but sometimes the price of comfort turns out to be freedom itself.

Bulgarian stop motion animation that follows the adventures of six penguins.

As teens ransack a suburban home for food and clothing, one recounts how he got there and how desperation has changed him.

The Boy with a Camera for a Face is satirical fairy tale about a boy born with a camera instead of a head, whose every moment is transformed by the fact he is recording it. Accompanied by a voice over narration read by Steven Berkoff, the film tells an epic story in fifteen minutes about the way we live today.

Rhythm and repetition plays an important role in the animated film Allahu Akbar by Usama Alshaibi. With this film, Alshaibi questions the confrontation between tradition and modernity by drawing inspiration from geometric motives of Islamic art. The artist offers a re-interpretation of these motifs through computer animation. By turning the shapes in different direction, new images are generated, freeing them from their fixed state. Traditional spiritual values feed the present and open up to a modern perspective.

Pepé describes his house. He plays in the rain. At night he admires the stars, enjoys the vegetation and the colors of the afternoons. The animals around him look at him in amazement, he infects them with joy. Pepe is happy to live in his house, which is Earth.

The making of the short film Cirkus (1999).

Counterfeit Film captures the moment when a still image becomes a movie, and when an "inferior" medium such as the photocopy, ceases to be a copy and becomes the thing itself.

Mindblowing. Literally. Acclaimed Italian photographer Alessandro Bavari turns to filmmaking with this short, surreal tour in and around the cranial cavity.

David pitches his ideas for new children's TV shows. Unfortunately, they are not entirely politically correct.

A small swindler after an unsuccessful coincidence finds himself in the afterlife court as a defendant. The judge is a man, who he literally to death annoy during his lifetime.

A cardboard boy makes-believe inside a cardboard box. Dodu, the cardboard boy, is very sensitive and lives in a city wich is really hostile towards little children. So he spends many hours indoors, playing with Carica, his ladybug friend. Whenever Dodu scratches the surface of the cardboard box, he is able to create wonderful worlds inhabited by unusual creatures that help him to deal with his emotions and how to grow.

A husband and wife suffering from an undefinable defect in their relationship seek guidance from an "alternative" therapist who advises them to take a weekend vacation to Joshua Tree and drop acid together as a antidote to their problematic marriage. But not all trips go as planned.

In a world where iron and land mix themselves creating unexpected cities, the wind blows life among leaves in the eternal rebirth cycle. This is the wind’s embrace.

Fever

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