SPEED: Live at Outbreak Fest 2025

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.

A film about the cultural evolution of the Sydney beach side suburb of Maroubra and the social struggle faced by it's youth - the notorious surf gang known as the Bra Boys.

The story of Gritando HC, a Brazilian hardcore band from its beginnings in 1994, the death of its founder, Donald, and how they remained active and relevant in the scene to this day.

Documentary about the Argentine punk and hardcore scene, from the early 80s to the mid-2000s. It includes interviews with various people in the environment, both musicians, producers and journalists, as well as archive material.

When is a laundromat more than a laundromat? How about when it's a bar? Or a venue for the best underground hardcore music in the city? Or when it's a home for a group of outsiders who are proud to not fit in. How about when it's all of that and more? Dirty Dungarees is the unexpected hub of the hardcore scene in Columbus, Ohio, cultivating a community unlike anything else in the city.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

A combination of live footage and interviews with Chicago based hardcore band Raw Nerve. Head Trauma documents their final tour and last two weeks as a band.

A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).

A concert film with Norwegian rock band Bigbang, featuring performances from their 2009 shows at the Norwegian Wood Festival and Slottsfjellfestival.

The vexed question of how to live an artistic life is illustrated in DISAPPEAR HERE, the story of Australian 90's alternative group Glide and founding songwriter William Arthur - in an atmospheric, texturally rich exploration of thwarted ambition in the independent music scene of 1990's Sydney. This extraordinary artist and the shifting sands of the music industry are revisited by band members as well as Aussie music industry luminaries including Tim Rogers (You Am I), Jamie Hutchings (Bluebottle Kiss), Peter Fenton (Crow) and Jane Gazzo (ABC's Recovery and Triple J). DISAPPEAR HERE is a completely independent production which was directed, shot, edited and written by Ben deHoedt.

This DVD documents the band Fight at a high-energy live show in Phoenix, Arizona. Capturing the raw power of their mid-1990s period, the performance presents the band’s aggressive blend of heavy metal, groove and thrash influences. The set opens with the title track “Into the Pit,” launching the audience into a sonic onslaught of driving riffs, fierce vocals and intense rhythm, performed with tight conviction and visceral force. The DVD not only shows Fight in full flight on stage, but serves as a time-capsule of that era: sweat, intensity, and a no-holds-barred metal live experience. This live footage was included as part of the box-set release Into the Pit. 1). Into the Pit 2). Nailed to the Gun 3). Life in Black 4). Immortal Sin 5). War of Words 6). Laid to Rest 7). For All Eternity 8). Little Crazy 9). Contortion 10). Kill It 11). Vicious 12). Reality – A New Beginning 13). Light Comes Out of Black

A humorous ode to the world of classical music and some of its star musicians.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.

Considered one of the most cerebral punk rock bands around, Bad Religion puts on a unique live show that has them blasting through song after song in record time. This documentary, compiling footage from 14 different concerts, captures the raw power and frenzy of the band as they toured Europe in 1989 to promote their third album, "Suffer." The 26 featured songs include "Do What You Want," "Land of Competition," "Best for You" and more.

Tiësto in Concert is a performance of Tiësto's concert on May 10, 2003, at the Gelredome in Arnhem, Gelderland, Netherlands, when he performed before an audience of over 25,000 people. The concert was divided into parties with live performances by groups, bands and artists representing a country, which in turn represented a continent. It begins with a presentation by Tiësto followed by a live performance by Andain who presents to Britain and Europe. Then, a group of carnival Sanba presents to Brazil and South America. The singer's live performance and band Dinand Woesthoff presents "The Star-Spangled Banner" to the United States. The Chinese group Orange Studio performs the theme "Tiësto in Concert Asia", presented to countries there. After a live performance by singer Jan Johnston, Omar Ka & Fula Band presents to Africa, and finally, the live performance of Jerry de Jonge & Beijerink presents to Australia and Oceania. A Bluray version with the Director's Cut was released in 2012.

Washington, D.C.'s Government Issue perform live in this two-concert DVD. Filmed during a 1985 tour of California, both shows highlight songs from the albums "Joy Ride" and "The Fun Just Never Ends." Lead singer John Stabb belts out tunes including "Puppet on a String," "4-Wall Hermit," "World Caved In," "Hear the Scream," "Blending In" and "Mad at Myself," igniting audiences at both venues into full-blown Punk Rock frenzy.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.