Suite Tortilla #60: The New Man and the Schoolteacher

1896. Cuba is at a critical juncture. Following the death of Antonio Maceo, one of its independence leaders, the island is torn between two positions: continuing the fight for independence or annexation to the United States. Spain, through its energetic generals, seeks to maintain its hegemony on the island. A difficult period in which, however, strange love stories also occur.

Oliver Stone spends three days filming with Fidel Castro in Cuba, discussing an array of subjects with the president such as his rise to power, fellow revolutionary Che Guevara, the Cuban Missile crisis, and the present state of the country.

Shot in Cuba in 1961, this documentary follows a volunteer militia brigade organized in defense of the Cuban Revolution. Joris Ivens and his crew observe military training, daily life, and collective discipline among civilian volunteers. The film emphasizes popular mobilization as a defining feature of the revolutionary state.

In the summer of 1994, a team of public television reporters filmed and interviewed seven Cubans a few days before their risky venture of setting out to sea in homemade rafts to reach the coast of the United States. Six made it far enough to be picked up at sea by the U.S. Coast Guard. When these balseros (rafters) were finally allowed to go to the United States, the film crew went with them to a string of several cities. Seven years later, the film crew visits them again, to discover that their destiny has been in the United States. Theirs is a true story about some of the authentic survivors of our times, the human adventure of people who are shipwrecked between two worlds.

Fidel Castro, the former President of Cuba and one of the most controversial figures of the 20th century, passed away in November. He famously claimed that "history will absolve me", but will it? This special film considers Castro and his legacy.

The Castro revolution was just consolidating its power when, in 1961, over 100,000 students were sent from their schools into the countryside to teach the peasants there how to read. Coinciding with the Bay of Pigs invasion, in this docudrama, 15-year-old Mario (Salvador Wood) has come to a tiny village in the Zapata swamps and gradually wins the villagers over to his task. At the same time, he receives an education in the realities of rural life from the hard-working peasants.

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

Ernesto Guevara, known as 'Che', leads a group of Cuban exiles under Fidel Castro in a revolution to overthrow Fulgencio Batista, the dictator of Cuba.

Havana, Cuba, 1990. René González, an airplane pilot, unexpectedly flees the country, leaving behind his wife Olga and his daughter Irma, and begins a new life in Miami, where he becomes a member of an anti-Castro organization.

The Antonio Maceo Brigade consists of fifty-five children of Cuban families that escaped the revolution and settled down in Miami. To the annoyance of their parents, the children developed pro-Castro ideas. This documentary follows the Brigade on its first visit to Cuba. When they meet family members and embrace old neighbours, childhood memories surface.

A deep dive into the lives and experiences of those impacted by the Fidel Castro era in Cuba.

"The Voice of Innocence" is a documentary that shows how, starting in 1959, the Cuban Revolution put into practice a comprehensive and universal policy of safeguarding the rights of the child, even under the multiple difficulties resulting from the economic, commercial and financial blockade imposed by the United States more than six decades ago. Cuba is one of the main signatories of the Convention on the Rights of the Child, signed on 20 November 1989, when the country had already made extraordinary progress in protecting the rights of the child, in comparison to developed countries, such as the United States, which as of today hasn't yet ratified the Convention.

The two young Swedish journalist's Erik Gandini and Tarik Saleh have worked one year with Sacrificio, a film about the events surrounding the death of Che Guevara. They have traveled the world around and met among others the man who shot Che Guevara and the former CIA agent who walks around with Che's last tobacco in his pistol butt. In their attempts to find out what really happened they discover that the man who is accused of having betrayed Che Guevara as a matter of fact lives in Malmö, in the south of Sweden.

This film was shot in Cuba in 1994. The opportunity came when Russel Porter, an Australian documentary filmmaker, was invited to teach at the international film and television school (EICTV) located some forty kilometers from Havana. He took the opportunity to make a film about life in Cuba today. He examines how people are surviving the hardships caused initially by the "blockade" imposed by the USA over 30 years ago and increased by the more recent loss of trade with the countries of Eastern Europe. The goal was to faithfully and objectively portray the current atmosphere and character of this "little island in the Caribbean." Apart from Russel and producer Denise Patience, the film crew was Cuban: cinematographer Alejandro Perez, sound recordist Lenin de los Reyes, production manager Elaine Santos, and local liaison Alex Alday.

In the first and only American interview with President Miguel Díaz-Canel, Cuba After Castro explores the island’s revolutionary history and turbulent present, while revealing a portrait of the man tasked with steering its future.

The Kafkaesque world of Cuba under Castro's rule is brought to light in this reconstruction of the 1989 trial and execution of General Arnaldo Ochoa Sanchez, the highest-ranking general and hero of the revolution, and commander of the Angolan and Ethiopian campaigns.

An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.

In 1950s Havana, a romance blooms between two young revolutionaries whose clandestine printing press publishes pamphlets meant to stir up rebellion against the dictatorship of Fulgencio Batista. As their popularity grows, so, too, does their revolutionary zeal and their desire to mobilize other urban guerilla units.

GDR 1961: Tamara Bunke, daughter of Jewish exiles from Argentina, not only falls for the political goals of the rousing revolutionary Che Guevara during a state visit. She also meets Ulises Estrada, the commandant of Che's team. Ignited by the fire of the revolution, she gets involved in a diabolical espionage deal with the Stasi in order to cheat her way out of Cuba. In Cuba, she ends up caught between all fronts: under the watchful eye of the Stasi, which expects results from her, but in reality solely dedicated to Che's revolution, Tamara allows herself to be trained as a double spy by Che's troops. At the same time, her honest love grows for Commandante Ulises, who eventually gives her the choice of following her personal happiness and going into hiding rather than following Che's plans to liberate South America, which by now he considers a suicide mission. An unresolvable, deeply tragic conflict that ends fatally for Tamara in the battle of Bolivia's Rio Grande..

La teoría cubana de la sociedad perfecta