Die Kinder der Schweigenden

French documentary that explores how the third generation deals with the memory of the Holocaust. It follows grandchildren of survivors—Camille, Frankie, Théo, and Mathis—as they inherit family secrets and the responsibility of bearing witness to this trauma

Les survivants, l'impossible départ après la Shoah

The gruesome story of the Jewish ghettos during the Nazi occupation of Eastern Europe in the dark days of World War II, based on the records written by their inhabitants, who bear witness to the human tragedy of the Shoah; but also to an indomitable will to live.

This film, produced by the Museum’s Spielberg Film Archive staff, features 55 minutes of previously unseen interviews from the Claude Lanzmann Shoah Collection. SHOAH: The Unseen Interviews includes the testimony of Abraham Bomba, a barber in the Treblinka killing center, who escaped, was smuggled back into the ghetto, and tried to warn friends, who refused to believe what was happening; details of American responses to the Holocaust from Peter Bergson, who tried to rally American Jews and the US government to act sooner to save the Jews in Europe; and Ruth Elias’s harrowing tale of survival in Theresienstadt and Auschwitz-Birkenau.

Nothing predisposed a rural commune in the Loiret region such as Beaune-la-Rolande to embody the height of the Holocaust in France. Yet it was there that a camp was set up where Jewish families were interned, separated, their children abandoned to their fate before being deported alone to their deaths. Long hidden from view, more than eighty years after the events, this tragedy remains a sensitive subject that can still divide opinion on what should or should not be done to ensure it is not forgotten. Following personal journeys and collective commitments, this film meets activists, elected officials, and teachers who are committed to helping a region recover its memory and reconnect with its history, however painful it may be.

Surviving against all odds. In 1940, Benjamin Orenstein, just a teenager, was sent to his first concentration camp in Poland. It was the beginning of a journey that would mark him for life. After years of silence, he now bears witness to one of the darkest chapters in history.

The Holocaust began with the indiscriminate mass shootings by the Einsatzgruppen in the bloodlands of Eastern Europe and was perfected in the gas chambers at Auschwitz. “Bullets And Blueberries” explores the motives, methods and madness of the perpetrators, using never-before-seen images captured by the killers themselves — images that fully capture the banality of evil.

Reinscribing the Dondorf explores the former Dondorf Printing Works in Frankfurt through the history of the German-Jewish family who founded it. Following the traces of Clara, a Holocaust survivor, and Helene, deported to the Łódź ghetto in 1941, the film examines the potential and limitations of AI as a tool for archival research and memory. Working with both analytic and generative AI models, it explores how these new visual and sound regimes shape our relationship with history and with the archive.

Hannah Arendt's views on Jewish identity, the Israel-Palestine conflict, and authoritarian-totalitarian systems seem more relevant than ever. Together with biographer Thomas Meyer, this documentary takes us back to the time of her exile in Paris. It was there, on the banks of the Seine, that she laid the foundations for her later works, which would bring her international renown.

In 1942, more than 8,000 Jews were arrested on 16 and 17 July and sent to the Vélodrome d'Hiver sports center in the 15th district, a stone's throw from the Eiffel Tower, before being deported. The expression "Vel d'Hiv round-up" has become part of our collective memory, to the point of becoming the main memorial reference point for France during the dark years. Based on research carried out in unpublished or rarely explored archives, this film retraces the history of this roundup as experienced by hunted Jews and police trackers, from its planning in the Vichy offices to its hour-by-hour unfolding in the streets of Paris.

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

A documentary about the corrupt health care system in The United States whose main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance, the more money we make" is the business model for health care providers in America.

The film documents the construction of political thinking of the newest candidate for the presidency of the Republic of Brazil by the female PARTY, the actress Georgette Fadel, from her relationship with an unusual troupe of ten people who accompany her on an initiatory journey in search of hers greatest reference, Pepe Mujica, in Uruguay.

A documentary about the infiltration by parachute drop of Free French by the OSS on the eve of D-Day.

Wolves divide and fascinate us. 150 years after they were driven to extinction in Central Europe, they are returning slowly but inexorably. Are they dangerous to humans? Is it possible to coexist? Using Switzerland as a point of departure, where wolves have returned in the very recent past, this documentary sheds light on the wolf situation in Austria, eastern Germany, Poland, Bulgaria, and even Minnesota, where freely roaming packs of wolves are more common sight.

Heartwarming, inspiring documentary that explores the unbreakable bonds we share with our dogs & how humans and dogs rescue each other.

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

In the Kalapalo cosmogony (an ethnic group that lives in the Xingú Indigenous Park), water is as old as humans and is the source of life. That is where all their sustenance comes from, their food, their drink, their joy. The idea of using water as a dumpster, of poisoning water is a dystopia. In this documentary Chief Faremá —from Caramujo village on the banks of the Kuluene River— tells us about the birth of water and warns us about the consequences of disrespecting it.

Documentary on the Royale Galery Saint-Hubert in Brussels.