Days of Nietzsche in Turin

A group of young Nigerian friends living in Italy travels to Rome to watch a UEFA soccer match. For Eby this is the opportunity to see Nike, a girl he met only a while ago.

The story of a young boy who wants to be part of the great soccer italian team: il Grande Torino.

A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.

In the late 19th century, a former high school teacher turned unionist tries to organize workers laboring with inhuman conditions at a textile factory.

A story about racism, discrimination, and prejudice: in a dystopic future governed by only women, there is a fight between blondies and brunettes. In this society, the blondies are discriminated against because of the color of their hair.

The German philosopher Friedrich Nietzsche and his Jewish companion Paul Ree meet a beautiful young Russian intellectual and draw her into a ménage-à-trois.

A monumental windstorm and an abused horse's refusal to work or eat signal the beginning of the end for a poor farmer and his daughter.

When the ghost of the composer Richard Wagner visits the raving Friedrich Nietzsche within the walls of the Turin lunatic asylum the details of their dreadful conflict are revealed.

Parafrázis

Paolo, a forty-year-old single man, spends his time between his flat and the museum of fake fruits, where he works as a guard. He lives in a suspended bubble, unaware of his unhappiness and inability to react. An accidental meeting will shift, maybe definitely, his inner world.

Friedrich Wilhelm Nietzsche never went to Russia – yet he was always fascinated by this mysterious country and wanted to visit it. This film gives him the possibility to do so after all. However, Nietzsche doesn’t arrive in 19th century Russia, but in a modern country which has been trying for years to create the civilization described by Nietzsche 150 years ago.

Charlie's got a 'job' to do. Having just left prison he finds one of his friends has attempted a high-risk job in Torino, Italy, right under the nose of the mafia. Charlie's friend doesn't get very far, so Charlie takes over the 'job'. Using three Mini Coopers, a couple of Jaguars, and a bus, he hopes to bring Torino to a standstill, steal a fortune in gold and escape in the chaos.

When God killed Man, it was God's suicide, When Man killed God, it was the birth of a new God.

Shots of Turin, deserted because of the pandemic, interweave with images of the movies that have been shot in the city ever since the dawn of cinematography.

Having just moved back in with his working-class parents, twentysomething on-and-off philosophy undergrad Walter navigates turn-of-the-millennium Turin and Gen-X ennui.

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

Briza

Bob Noto, a photographer and gourmet from Turin, has revolutionized the way we look at and photograph food: a pilgrimage in search of the best dish, and the best opportunity to make it immortal with a photo.

My Friend Friedrich opens on awkward, bespectacled Columbia student Nate having a heart to heart on the phone with his mother. Then, in a philosophy class, he almost succeeds in landing a date by lobbing an illustrated invitation at his love interest, Emma. All goes awry when a taller, more confident, bespectacled Columbia student cuts him off at the knees. So far, so very New York student film, but a conceit arrives to distinguish this story of Ivy League dating woes: the ghost of Friedrich Nietzsche appears before Nate to guide him towards self-actualization.

A sunny Saturday afternoon in Zurich. In the middle of a crowded square a businessman is lying on a bench, seemingly asleep. Someplace else, a teenager is longing for appreciation. A commuter is fighting the ticket machine. The film shows ten tableaux of everyday situations in the city. The people in them are confronted with small or big problems. Each one of them is a Sisyphos, endlessly rolling the little stones of daily life up the mountain.