Twilight of the Gods

A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.

A man's thoughts on the female soul, while the woman he covets appears everywhere in the form of famous paintings, and eventually leads him to his doom.

The German philosopher Friedrich Nietzsche and his Jewish companion Paul Ree meet a beautiful young Russian intellectual and draw her into a ménage-à-trois.

A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.

Friedrich Wilhelm Nietzsche never went to Russia – yet he was always fascinated by this mysterious country and wanted to visit it. This film gives him the possibility to do so after all. However, Nietzsche doesn’t arrive in 19th century Russia, but in a modern country which has been trying for years to create the civilization described by Nietzsche 150 years ago.

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

When God killed Man, it was God's suicide, When Man killed God, it was the birth of a new God.

My Friend Friedrich opens on awkward, bespectacled Columbia student Nate having a heart to heart on the phone with his mother. Then, in a philosophy class, he almost succeeds in landing a date by lobbing an illustrated invitation at his love interest, Emma. All goes awry when a taller, more confident, bespectacled Columbia student cuts him off at the knees. So far, so very New York student film, but a conceit arrives to distinguish this story of Ivy League dating woes: the ghost of Friedrich Nietzsche appears before Nate to guide him towards self-actualization.

A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.

Nikander, a rubbish collector and would-be entrepreneur, finds his plans for success dashed when his business associate dies. One evening, he meets Ilona, a down-on-her-luck cashier, in a local supermarket. Falteringly, a bond begins to develop between them.

Sunday in August

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, dreaming up little numbers to the rhythmic beats of her surroundings.

In late nineteenth century Alfred Dreyfus, a French army officer of Jewish heritage, is falsely accused of espionage. Found guilty of treason he is drummed out of the army and sent to prison on Devil's Island.

The adolescent sons of an expatriated Chinese physicist visit her in the United States, while she and her colleagues pursue the development of a massive particle collider with which to understand the origin of the Universe. A queer Science Fiction, that engages the utopian impulses of the genre, not through the imagining of another world, but through the rendering of this world as Other. All subjects are treated as alien, or as radical others, who search for, or advance different ideological, psychological, or sexual ideals of belonging. Subjects oscillate between the contemplation of past societal traumas and idealizations of futurity that refuse to synthesize or resolve, but instead reveal a troubling satire of the present.