Ever Behind the Sunset

Tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.

The film, inspired by Goya’s paintings – mostly his darker works – and made in the same way as 2017’s Loving Vincent.

About the protection of nature, about the inhabitants of protected swamps.

Welcome to the circus arena, where all the characters are made of white paper.

When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it's up to Shaun and the flock to return everyone safely to the green grass of home.

The film takes place in a doctor's waiting room where soothing music and the opportunity to enjoy an ice cream brings about an alleviating atmosphere. What could possibly go wrong in a healthcare institution where help is nearby? The cold and ugly sides of human nature reveal themselves as the narrative touches on the cycle of birth and death and the absurdity of life. Let's hope the doctor can help!

In a landfill, an old man collects all kinds of objects...

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

Melancholy of the Outer Limits

In a haunting encounter, the film captures our fragmented perception of time during the pandemic while exploring the dynamics of mutual support. We are made aware of earthly transience (mono no aware) in a time when the Earth seems to stand still. Before We Collide is a short film shot on a Nishika N8000 analog lenticular camera consisting of over 800 photographs pieced together. The film does not give the impression that it is made for me, you, or anyone for that matter. It simply exists as an artefact that can be witnessed, like found footage of a ghostly apparition.

Street artist Blu animates large-scale creatures as they crawl across an abandoned Argentine cityscape.

A girl journeys through a vibrant, pulsing, macrocosmic landscape, but a precipitous incident compels her to venture up a mountain in an attempt to save herself. A story about illness, perseverance, and our connection to everything around us.

Web Corp. follows the inescapable cycle of a worker fly trapped in a systemic web spun by a boss spider. Crafted through traditional stop-motion, the film clashes the organic, vulnerable texture of papier-mâché against the harsh, cold authority of steel wires, transforming capitalist exploitation into both a thematic and physical allegory.

A boy born the size of a small doll is kidnapped by a genetic lab and must find a way back to his father in this inventive adventure filmed using stop motion animation techniques.

Krisha is the daughter of the Yates who are the nomad tribe of the tundra. To save her sick mother, she follows the words of Shaman and takes off on her adventure to the end of Northern land to find the red bear she saw in her dreams. In the meanwhile, Captain Vladimir of the federal army and Bazak, the hunter, invades the forest to hunt the red bear. Krisha arrives at the forest where she hears the voice of the red bear.

Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.

In Aix-en-Provence, feminist slogans dot the walls of the city. This is the work of "Les colleuses". Their goal: to claim their place in the public space, and to denounce patriarchal violences. For a month, we follow young Ameline and her friends. They tell us about their process, the reasons for their commitment, their doubts and their hopes.

The Night had her birthday, and gave a party to which she invited Dima, a little boy so afraid of the dark that he could never sleep when the light was out.

Trnka brings to life a surrealist circus of tightrope-walking fish, musical monkeys, balancing bears, and high-flying acrobatics in this whimsical feat of cutout animation made in collaboration with leading Czech painters of the era.

Violeta loves best fishing into the darkest depths.