A video discussion about Lucio Fulci's classic Giallo "Don't Torture a Duckling".
A video essay about 1972 Giallo "Don't Torture a Duckling", focusing on accusations of misogyny against director Lucio Fulci.
Documentary about Mario Bava's film "The Girl Who Knew Too Much" and its impact on the Giallo genre.
An interview with Italian actress Silvia Collatina about her role in Lucio Fulci's "Murderock".
An interview portrait of the three Italian actresses Stefania Casini, Silvia Collatina & Barbara Magnolfi.
A featurette on the career of Italian director Armando Crispino.
A visual appreciation of director Mario Bava's final full-length feature "Shock".
An analysis of Italian director Sergio Martino's Giallo films of the 1970s.
Interview with Alberto Farina on his Father, the Italian writer and director Corrado Farina.
A look at the career of Italian writer/director Maurizio Pradeaux.
A feature about philosophy, perception and imprisonment in Aldo Lado's Giallo "Short Night of Glass Dolls".
An interview with actress Florinda Bolkan about her performances in the films "Don't Torture a Duckling" and "Lizard in a Woman's Skin".
In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.
An interview with film critic Kat Ellinger who discusses the themes of Dario Argento's giallo "The Bird with the Crystal Plumage" and its relations to Fredric Brown's novel "The Screaming Mimi."
An analysis of the critical themes in Dario Argento's 70s Giallo "Deep Red".
Italian director Enzo Milioni reminisces about his career and his 1978 giallo "The Sister of Ursula".
Author Stephen Thrower analyzing the themes and characters of Mario Bava's proto-slasher "A Bay of Blood".
An interview with Nicoletta Elmi about her days as a child actress.
London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.
Documentary about the making of Mario Bava's "Rabid Dogs" and Lamberto Bava's re-cut version of the film titled "Kidnapped"