Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution

This one-hour film, narrated by Actor BURT LANCASTER, explores the lingering effects of The Hollywood Blacklist, which occurred in the late forties and early fifties as part of the Anti-Communist witch-hunts that terrorized the nation. This film is seen through the eyes of the wives and children of the now deceased Hollywood figures whose careers were destroyed when studio bosses, along with guild and union officials capitulated to the demands of the House Un-American Activities Committee.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Documentary taking a look at the making of the controversial 1978 film I Spit on Your Grave.

At age 31, after experiencing her second miscarriage, Tahyna MacManus was devastated, lost, angry and, despite those around her, felt terribly alone. She picked up a camera and started to record her story and in doing so found her tribe. Resilient, courageous women speaking of their sadness, their shame and their guilt while still holding onto hope. Tahyna discovers that 1 in 4 Australian women experience miscarriage so why aren’t we talking about it? In this highly intimate journey, Tahyna is on a mission to lift the lid on all that shame, provide some answers and make sure that women no longer walk this path alone. But first, she has to face her own fears.

Ich will da sein - Jenny Gröllmann

Scenes from holiday life at Lake Balaton in Hungary during the communism.

In October 1987, the documentary film collective Amber Films from Newcastle became the first British film crew ever allowed to shoot in East Germany. They filmed the workers of the state-owned fishing concern in Warnemünde and a brigade of crane operators at the state Warnow dockyards. Just two years later, East Germany was history, including most of the jobs it once provided. Twenty-five years later, in 2014, the filmmakers returned to an utterly different Rostock. They visited the people they had filmed in 1987. Together, documentarians and subjects look at excerpts from the earlier film, and talk about the enormous changes the men and women experienced, how they dealt with them, and how they feel today.

Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.

In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

At the end of the 1960s, Vanesa’s parents fled the Franco-regime’s deep poverty to pursue their dream in the Netherlands. Working their blue-collar jobs for hours and hours, for over 45 years, their purpose was to return to Spain wealthy and comfortable. There, in a house full of Dutch porcelain and shiny gold, they can now finally rest. Vanesa was raised as Dutch, but still feels trapped in their expectant illusion, even with the distance between them. Torn between two homes, she starts to re-examine her past.

Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.

The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.

The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.

A quarter of a million drug addicts —one of the most serious consequences of the Vietnam War. These addicts were the citizens of the South, and of Ho Chi Minh City, the former Saigon. Shot in 1981 by three Australian women, Changing the Needle was the first in-depth film to be made about Vietnam’s unique approach to drug rehabilitation at a time when few foreign film crews had access to Vietnam at all.

THE LIMITS OF MY WORLD follows a nonverbal young man’s transition from the school system into adulthood. Brian has autism and faces the daily challenges of adjusting to his new life. Filmed from the intimate perspective of his older sister Heather, this documentary seeks to understand Brian’s personality beneath his disability. THE LIMITS OF MY WORLD is an autistic coming of age story exploring what it means to be a nonverbal disabled person in today’s society.

Documentary short documents the “Reminder Day Picket” at Independence Hall, Philadelphia, on July 4, 1968.