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Two public broadcast employees, tired of their dead-end jobs, set out to make a documentary proving aliens exist in a small Minnesotan farming community.

Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.

A psychiatrist attempts to cure a patient who thinks he's the son of Zeus, while dodging the mental ward himself.

In the wake of a freak accident, Lance suffers the worst tragedy and the greatest opportunity of his life. He is suddenly faced with the possibility of fame, fortune and popularity, if he can only live with the knowledge of how he got there.

A Middle-Eastern medical school student, new to Montreal, puts his relationship with his father at risk when he forfeits his education after being forever changed by two young women who help him see his destiny.

Seeking US citizenship, a Viennese refugee arranges a marriage of convenience with a struggling writer.

Relationship issues arise between a researcher with a theory to explain away all his failed dating experiments, a player who wants out of the game, a deejay whose head spins with thoughts of God, a hoodrat with no street cred, a poet not-so-well-versed in the art of love, and a womanipulator of men.

After Tsutomu Tamaki graduated from high school, he has worked at his family farm and raises ume (plum). He becomes interested in a class for “poetry boxing” and decides to take the class. There, he meets a female high school student who has her own problem.

La manzana de oro

Over the course of a hot summer day in Los Angeles, the lives of 25 young Angelinos intersect. A skating guitarist, a tagger, two wannabe rappers, an exasperated fast-food worker, a limo driver—they all weave in and out of each other's stories. Through poetry they express life, love, heartache, family, home, and fear. One of them just wants to find someplace that still serves good cheeseburgers.

When you find out you know a stalker personally... It gets awkward...

All but abandoned by her family in a London retirement hotel, an elderly woman strikes up a curious friendship with a young writer.

Die Aufschneider

Shaken by the stockmarket crash of ’87 … plus a few other distractions like attempted murder, flirtatious affairs and a lunatic, knife wielding chef … their friendship is put to the test! But, rest assured, these resilient women-of-the-world will pull through and enjoy many more entrées together at Luigi’s!

In the face of rising mental health challenges among black men, therapist Dillon leads 5 friends on a weekend retreat at a secluded cabin, where they confront their inner demons and rediscover the healing power of brotherhood in Blackwoods.

When a marriage is threatened by a long excursion for work, domestic trouble is buffeted by family and friends.

A college reunion goes awry when Pete suspects his friends may be out to get him... As their weekend getaway grows more and more uncomfortable, should Pete be worried about his safety, or is it all in his head?

Four friends and an urn embark on a journey in search of a lost intimacy, far from time and the hustle and bustle of the city, but pitfalls, obstacles, and great dilemmas will test their friendship and their convictions.

100 miles north, a bit east and up, is Pinchcliffe, the home of bicycle repairman Reodor Felgen and his two assistants, Solan Gundersen and Ludvig. Sponsored by oil sheik Ben Redic Fy Fazan, they build the car "Il Tempo Gigante" to race against Reodor's former assistant Rudolf Blodstrupmoen, who has stolen one of Reodor's inventions to become a world racing champion.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.