The New York of News from Home was filmed in 1976, while the one of Taxi Driver was filmed in the summer of 1975. Both works reflect the same decadent city. Two visions that shift from the everyday to the existential complement each other. A resignification of Akerman's images through the voice-over of Scorsese's work.
A video essay on Edward Yang's 2000 film "Yi Yi: A One and a Two..."
A video essay made on S. Craig Zahler's 2015 film "Bone Tomahawk".
There are two Bergmans. One speaks English, the other Italian. They fall in love and set off impulsively to live together. But reality is far from easy. As the rift between their emotions deepens, what choice will they make? And what kind of ending awaits them?
Non-human animals have always been around us, shaping and being shaped by our shared worlds. Yet in the modern city, their presence is increasingly cast as a problem, and their ways of living as disruptions. By following their traces, this film essay points toward a different picture that questions the narratives we take for granted. Through more-than-human encounters filmed locally in Romania, and a critical detour from the official discourse, other ways of living begin to surface. Perhaps there’s more we can do to unmake the anthropocentric landscape. What would it take to coexist more justly with urban animals? This film strays with this question and its possible answers.
nostomanie
A video essay by filmmaker Kogonada exploring the use of doors in the 13 feature films of Robert Bresson
After the making of my previous film (PLAY DEAD!), some unfinished business remained on my desktop. Home movies and various body horror films from my childhood cluttered my computer screen. Part medical treatise, part self-anamnesis, and a mashup tinged with nostalgia, this video essay returns the images emanating from my computer screen to the everyday gaze of a diabetic.
Nick Robinson details the decade-long quest to uncover a rare, password-protected McDonald's Japan training game for the Nintendo DS.
A video essay on the history and morality of the Robin Hood legend.
NULLE PART
Visite banale du musée de l'oubli.
Dinner is ready !
In a world bedazzled by intractable images, do we need the essay film now more than ever? Kevin B. Lee weighs up this distinctively self-aware, searching form of cinema through both video and text.
Surrounded by reflections of color, an ephemeral being explores the ethereal, sweet, and dangerous nature of sexual affection for another. It yearns to desire, but also to be desired.
The film, grounded in the photo series titled "Right to be Flawed"—published on a-part.online, the official publishing platform of the Kadıköy-based aesthetic-modernist art collective apart Art Association—is a short videographic essay that aims, through a practice-based experiment, to test French thinker-sociologist Jean Baudrillard’s theory of simulation, the imperfection–perfection dichotomy within that theory, and the implications of this dichotomy in the context of art and image regimes.
For years, the land of Altera has observed an uneasy peace between the humans, the elves, and the beasts who are loyal to the legendary Black Dragon. But when the dragon wakes from its hibernation, mobilizing a force of beasts to make war, a small band of humans and elves unite in a search for the secret road to the dragon’s lair.
Submarines Olly and Beth join their friend Bobsie, who is convinced he is the great-grandson of the Rainbow “Pie-Rats”, to search for the legendary secret treasure that reflects the beautiful rainbows in the sky. Their exciting treasure hunt is filled with wonder, comedy, thrills and adventure. But, they are followed by the unscrupulous Snarky Sharkskin and his slippery seahorse gang. As resourceful as ever, Olly and Beth manage to overcome all the problems they encounter, survive the storms at sea, make a heroic rescue, and find the glittering rainbow treasure. However, in the end, the treasure hunt leads them to understand that the best treasure of all is family and friendship.