flow

Omnibus film with 13 short films by students of the HfG Ulm

Oriana Mejer's niche poem-film style has created "NOISE!". The film dissects late stage capitalism and the effects social media has on the mind. This is a spoken word poem, performed by Mejer, combined with projections. It is a completely new approach to editing. Originally score by Sofia Camarena.

Porta Fechada

Roger Greenberg, a failed musician now making a living as a carpenter in New York, returns to Los Angeles to house-sit for his brother. He's stranded there—since he doesn't drive—until his brother's assistant, Florence, comes to his rescue. She's as much a lost soul as he is, and the pair form a significant connection—giving Roger a much-needed reason to be happy.

Therese is haunted by a man who has harassed her in the past as she tries to get ready for the day. As she continues to struggle, she realizes that she has power over the things in her own mind.

A tiny bug crawls across an unknown landscape as it continually metamorphoses around the creature. Suddenly, there is a twist.

A lonely man tries to enjoy a regular evening

Thrilled by his nephew Amir's migration to the US, Bruce's elation dims as he uncovers Amir's enigmatic nature and the unraveling mysteries threaten to shatter his world.

What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.

This history talks about two different ways of seen a terrible situation. One is about guilty, how some times we are so inside ourselves that we don't realize that the people near to us could be feeling terribly bad. But it also shows that sometimes we feel guilty about something that wasn't in our hands.

Corazón en el cenicero

Collective experimental film by Team 8mm TENGOKU.

The turkish ambassador is said to visit a village in Hungary.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

Noel travels from upstate New York every year to sell Christmas trees in New York City. Returning without the help of his long-time girlfriend, this year Noel finds it impossible to do the one thing he knows so well: sell Christmas trees. As Noel begins to spiral downwards, alienating co-workers and customers in the process, it turns out this same community of people may be the only ones capable of saving Noel from self-destruction.

A documentary about the sea and memory. Its movement is its form. Its strength.

Two men reunite, struggling to reconcile past trauma, leading one of them to avoid the other at all costs.

While recording a video tribute to his family, Leo (Rafael Gevú) unravels special moments lived with his beloved uncle Raul to free himself from the emotions of such a recent loss.

A feature film set over the course of one restless night in Beirut, the film follows Nuhad, who hires a struggling cameraman with his last US$ 300 to document what he believes will be a defining turning point in his life. As they drift through the city, a series of awkward encounters, impulsive detours, and disarming confessions begin to unravel his carefully constructed plan. What starts as a controlled narrative gradually gives way to something more intimate and unpredictable, revealing a tender, often darkly funny portrait of two men circling questions of purpose, identity, and connection. Grounded in the rhythms and contradictions of contemporary Beirut, the film balances humor and vulnerability, offering a quietly affecting story about the unexpected moments that can shift how we see ourselves and each other.

"Boxcar" Bertha Thompson, a transient woman in Arkansas during the violence-filled Depression of the early '30s, meets up with rabble-rousing union man "Big" Bill Shelly and the two team up to fight the corrupt railroad establishment.