Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.
Human, Tears, Art
One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.
Love and admiration in 16mm. The fusion a beauty that exists throughout three generations; my three Venus.
Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.
'Ad Meliora' (translation: Towards Better Things) is an experimental short film about the struggles girls go through growing up in a male dominated society.
Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.
Alex returns to a lifeless home that she ran away from at a young age. Once home, she begins filming a video about her past life but begins to question why she is putting her misery on display instead of doing what makes her happy.
Three ancient heroes encounter the spectres of their dead loved ones and struggle to let them go.
Picnic
After his father’s lambs are brutally slaughtered, an intellectual son returns to his widowed father’s remote shack, confronting haunting signs of violence his father fears is returning.
An immersive film installation by Cally Spooner. In this work, a musical for six continuously rolling cameras, a black box soundstage and its inhabitants, are recorded in a single take. The mechanics of the shoot (cameras, microphones, mixing boards, chromakey screens and crew) remain as present as the performers they capture. Cast and crew become a constant-motion human backdrop, pragmatically recomposing scene-changes through lighting cues, voice, body movement, or continuous shifts of filmic apparatus and props. The semblance of a post-production edit arrives through the organisation and orchestration of bodies on set. Delivered by a chorus line of women, the film gossips about various celebrities, athletes and politicians who have outsourced their performances to different technologies.
A woman reflects under the parapet.
10 scenes on a feeling
Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.
An experimental short where one's footsteps create sound on a piano, creaks and all.
Kappa, a woman in her 30s, finds herself in a facility that promotes social integration to individuals. Soon enough, she witnesses several attempts for interaction, which lead to a somewhat awkward reality. She therefore creates a survival mechanism and allows herself to get captivated within her fantasy world and reality. Caught into creating scenarios, she redefines communication as well as the borders of where a relationship starts and where it ends.
A father and son, affected by the tragedy at a railway station in Serbia, grieve in different ways.
Atali'i O Le Crezent (Sons of the Crezent)