Предыстория войны. Рождение «народных республик»

After the start of the Special Military Operation, Steven Seagal personally communicated with the victims of Ukrainian nationalists and saw with his own eyes what was happening in Donbass. He became one of the few who met with captured nationalists from the «AZOV» battalion and visited the sites of their crimes against civilians in Donetsk and Lugansk. His visit to Donbass attracted the attention of the world community and the media. Unique footage and eyewitness accounts are in the documentary film «In the Name of Justice».

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

The short film is based on events surrounding a 1977 mining accident in the Donbas region that ultimately led to the mine’s closure. In the film, locals, artists, and curators traverse the surface, paralleling one of the underground routes of the Novator mine. The procession ends at the monument to the dead miners, which is located just above the site of the underground accident that led to the death of the workers. Participants walk across the postindustrial landscape of Donbas, over the plowed fields, by bushes and courtyards, connecting the ground and the underground spaces through the choreography of their bodies.

A concert movie dedicated to the formation of the World Club of Odesa under the leadership of Mikhail Zhvanetsky. "Let many people be proud of the expanses and fields," says Mikhail Zhvanetsky himself about his favorite city, "someone falls to his favorite birch tree, thinking that it grows only here. We have the only homeland - Odesa, the only party of Odessites. Odesa is halfway around the world, from America to Australia. Odesa is a phenomenon, an Odessite is a character. Odesa was, is and will be one of the most famous cities on this temporal globe. And we, who stayed, and you, who left, will live and live with it.... Odesa is worth dedicating your youth and old age to it, and it will repay you like a native land".

A dual portrait of young drifters on the streets of Odessa, where every day seems the same and the future keeps getting further away.

Two families from Russia and the US are preparing to adopt a child from an orphanage in Russia. A Russian family brings home two children and experiences the first difficulties and joys of a new life. And on the path of an American family to adopt a 5-year-old girl with disabilities, there is a new law signed by President Putin that prohibits Americans from adopting Russian children. Will little Polina's dream of her own family come true?

Армия

Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.

Professor Gromov constructs a robot called Electronic, which looks exactly like Sergey Syroezhkibn, a 6-grader from one of Odessa (USSR) schools. The robot also acts a lot like a human, and its dream is to become a real man. Electronic escapes from the professor's lab and accidentally meets Sergey, his prototype. Meanwhile, a gang lead by Stump is trying to kidnap Electronic to make him steal pictures from museums. For this purpose they send their hitman Urrie.

In a small, poor town, a young worker falls in love with an actress from a traveling theater troupe and tries to keep her close, dreaming and working hard to rebuild a new town while the troupe increasingly faces decline and the end of its run.

Bewildering, amusing, insightful: Anke Engelke acts out eight authentic interviews, assembling them into a gigantic mosaic about motherhood.

The impact of lingering trauma on an ex-serviceman, triggered by sounds of everyday life.

Written and directed by Ali Taner Baltacı, this 40-minute production brings Atatürk and other important figures of Turkish political history to the screen.

A withdrawn war veteran seen as peculiar by the local villagers lives and brings up his child, the only thing that gives his life meaning.

The film considers what it means to be free to move, not as in leave or flee, but to move. It explores the ability of the environments we live in – especially cities – to create the space people need to move. Shot in Freetown, Sierra Leone, it explores the power of the creative sectors in the city and their immense potential.

A behind-the-scenes look at what inspired showrunner Damon Lindelof to create the HBO series Watchmen.

Primetime program celebrating the diversity and recognizing the accomplishments and contributions of the vibrant Asian American, Native Hawaiian and Pacific Islander (AANHPI) community

Life isn't a Godard Film

A man struggles with uniting different aspects of his identity. He finds some solace in a conversation with his cousins who experience similar challenges. Insights and advice are shared in the hope of connecting further with their black and queer identities. They will get there,‘Bi and by’.

A three-member team of the Films Division of the Government of India visited Mongolia during July 1986 to produce a documentary on the People's Republic of Mongolia.