How It Was Done in Odessa... or Odessans of All Countries, Unite!

Helmut Berger - Mein Leben

This docucumentary by John Brett conveys the impressions of cultural loss felt by an elderly Acadian man living on the south shore of Nova Scotia after his homestead has been deserted.

A dual portrait of young drifters on the streets of Odessa, where every day seems the same and the future keeps getting further away.

Mariana revisits a trunk of letters that Ricardo, her father, sent to Alfa, her mother, in the 90s when he lived in Canada. Now that her father has left the country again, Mariana seeks answers about the evolution of her parents' love through an emotional encounter.

Matthew Highton encourages us to celebrate the small moments in life that make us who we are, as he talks about his relationships with his loved ones.

Regina Celia Paradise, an iconic old lady, hires a film crew to record the testimony of her own will.

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

Cinemateca Potiguar: Dez Anos de Memórias

Still reeling from his breakup with college sweetheart Allison, Adam's world is thrown into further chaos when he’s surprisingly invited to attend her upcoming wedding. Returning home for the festivities, Adam must confront unresolved feelings while trying to convince himself and everyone else that he is truly happy for her.

The story of Queen Elizabeth II in her own words, featuring never-before-seen home movies.

Three sisters - Georgia, Eve, and Maddy - do what they do best with life, love, and lunacy on the telephone lines that bind - when their curmudgeonly father, Lou, is admitted to a Los Angeles Hospital. After years of wild living, intermittent affection, and constant phoning, he is finally threatening to die.

From its old age, a SIG-510 rifle tells the story of its military service as a weapon used by the Chilean army. It tells of his military training, its frustrated desire to serve his country, and the memories it has of the Coup d'état that occurred in 1973.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

Divorced couple Georgia and David find themselves on a shared mission: they team up and travel to Bali to stop their daughter Lily from making the same mistake they once made 25 years ago.

A group of plushies find themselves without purpose after their owner leaves for college. During their time alone they begin to form their own beliefs and opinions about this new life that they have inhereted. This meditation helps to allow new purpose to be found amongst the group and the sincere truth of their intended purpose to become recognized.

A reunion with old classmates after two decades triggers melancholy memories of a past love. Two decades on, the man is haunted by the ghosts of his unrequited love and a failed career, leaving him with a multitude of unanswered questions.

An aspiring filmmaker tries to restore her fading childhood memories through someone else's travel stories.  One evening in front of a bar, Hunay bumps into an acquaintance, Benjamin. He recently visited her native country, Azerbaijan, which she had to flee in 2011 with her family for political reasons. A precipitous departure which has resulted in her feeling further and further removed from her hometown, family, and childhood memories every day. What happens when we can no longer return to our hometown, when our childhood memories are fading away? Can memories stay alive through someone else’s?

Abroad at the time of her death, a grandson returns to revisit the house of his late grandmother, now occupied by another family. A reflection on the love for a home where one grew up and yet made by a grandmother missing another life, in another house, in another country.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Within the video, two screens coexist. On the primary screen, a repetitive action takes place - the photo in the hands is periodically blurred. The focus of the viewer's attention is shifted to the secondary screen, which is more dynamic. The face in front of the camera, resembling clay, tries to take on images from archival photographs and video recordings.