Hoeksteen van de Samenleving

Documentary about the female fighter pilots in the 588th Night Bomber Regiment of the Soviet Union. In small planes made out of plywood and canvas they risked their lives every night during the last part of the second world war.

El pisto

Polly and Sophie are My Bad Sister, the UK rave scene’s most infamous twin sisters. When a new chapter of sobriety threatens the hedonism of their music and relationship, Joe Magowan’s intimate documentary finds out if their sisterly bond can survive getting clean.

Calling Mother is about the moments when you just have to call your mum. It is a compilation of phone calls made by different people to their mothers. Film follows the lifespan of a human being from youth to adulthood, a child changing from a dependent to a caretaker. Phone calls are connected by images of an old telephone center and a story of a young mother who doesn’t have a mother to call.

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

One Sunday in a public housing project, an Italian immigrant family. Through the character of the mother, we experience the family's Sunday ritual. More than just this somewhat ancestral ritual, which is still relevant today, we get a glimpse of this Mediterranean culture.

Ensayos y errores

The story behind the growth of women's and girls' volleyball in the United States and how it continues to bolster and empower young women in their development. Featuring direct interviews with players, coaches, and families, as well as footage of the 2022 Big South Qualifier tournament.

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.

Nested Sequence

A staged birthday celebration and a visit to the director’s father’s home. From the interplay of memory and imagination, the film explores how family archives shape fictions of the past.

φέγγος

Saud now lives in Paris, caring with devotion and tenderness for his two young children while closely following the drama in Gaza. “It's hard to be far away.” He speaks sadly of his situation as a Palestinian citizen of Israel. When he accompanies his daughter to school, they both stick up placards for the liberation of Palestine...

An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.

Christine’s father died when she was still a small child, and she remained in the care of her sadistic mother, who beat her and abused her psychologically. Christine is still convinced that her mother hid a farewell letter from her beloved father. Jean’s father committed suicide several years ago, and left behind a lengthy letter, but Jean never found the courage to read it. Together, Christine and Jean embark on a unique road trip across the French countryside to visit Christine’s mother, and try to confront the past.

A brief glimpse through the life of Granny Lue. A woman of faith, fearlessness, and fierce energy, she never allowed her disability to determine her ability to live.

Jim and Loz Beck are brothers from Chipping Norton. They play rock'n'roll together since they're 8 years old. At 18, they leave the boring british countryside to live and work on their music in London. Jim starts working in a Cultural association while Loz discovers the pleasures of the student life. The film is driven by the raw punk music and the deeply political and emotional lyrics from their two piece band Cassels. In this intimate portrait, Jim and Loz will confront their strong artistic point of view and their DIY approach to the reality of the music industry and the social and economical London's life.

A mother discovers that her son has a disability that causes her breast milk to intoxicate him. But the discovery comes too late to prevent the loss of neurons.

Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.