The story of Ryoma Sakamoto, considered to be the architect behind the downfall of the Tokugawa shogunate. He was considered an outlaw by his own clan, hunted by his government, and was despised by supporters of the Shogun as well as the Loyalists for desiring the opening of Japan to the West in order to learn its technology, in the hopes of one day defeating the West with a modern army and navy.
Izo, a Ronin, and Raiden, an orc, work to bring a young elf girl and the wand she carries to the land of the elves in the north.
Mr. Kobayashi
Getting an opportunity to meet with another half-Caucasian swordsman, Kyoshiro finds himself involved in a series of dangerous encounters.
In a post-apocalyptic world where the Russians have taken over a nuked USA and Elvis is king of Lost Vegas, Buddy is a '50s rocker and wandering warrior rolled into one, too-cool package. Armed with his six-string in one hand and his sword in the other, Buddy is on his way to Vegas to succeed Elvis as King. Along the way, he saves an orphan who decides to tag along.
Follow the infamous ninja bandit named Ishikawa Goemon in an epic story. One night while looting treasure from Nanban, Goemon finds a mysterious box hidden inside a secret grave. A forgotten relic from the past containing untold powers.
Edo-period samurai Araki Mataemon and his brother-in-law Watanabe Kazuma seek revenge on Kawai Matagoro. Paper film produced using celuloid from Araki Mataemon: Master Swordsman (Kumahiko Nishina, Japan, 1935)
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
This is one of the many films based on the legend of Chuji Kunisada, a wandering gambler and a defender of the weak in the Edo period. In other words, he was the Japanese Robin Hood. In this film Kunisada (Chiezo Kataoka) arrives to a small town terrorized by an evil gang. He insists that he is not Kunisada, as the word is Kunisada has been executed, but of course the audience know better. Sonny Chiba plays an unusual supporting role as a helpless young man unable to defend himself from the gangsters. He does, however, get to play taiko drums and dance with Junko Fuji (who makes her film debut here). Chiba's father, an old judge who helps Kunisada, is played by Takashi Shimura. The film hardly anything exceptional, but it's a pretty decent jidai geki / yakuza drama.
When the 'Lowly Ronin' helps an orphaned teenage girl avoid being turned into a prostitute, she then claims he is her father and they start a farm as father and daughter until fate steps in and he must draw his sword.
Yagyu Jubei, the finest swordsman in the land, is called upon to bare his blade to help Iemitsu keep his post. Meanwhile a fishmonger named Isshin Tasuke who bears an amazing resemblance to Shogun Iemitsu may be called upon to put his life on the line by acting as the Shogun's double. At the same time, the tragic story of Banzuiin Chobei and Mizuno Jurozaemon is unfolding.
Japan blossomed into its Renaissance at approximately the same time as Europe. Unlike the West, it flourished not through conquest and exploration, but by fierce and defiant isolation. And the man at the heart of this empire was Tokugawa Ieyasu, a warlord who ruled with absolute control. This period is explored through myriad voices-- the Shogun, the Samurai, the Geisha, the poet, the peasant and the Westerner who glimpsed into this secret world.
A warrior-in-training and his bumbling friends go in pursuit of a stolen sword.
The rise of the famed gambler.
Dives deep into the tragicomic world of the"towns-people" stand-ins working at Warp Station Edo, a popular shooting location for samurai dramas, through a piercing study of a 63-year-old extra. Utilizing mockumentary stylings, this ambitious film forms a compelling commentary on the aspirations that shape film production and the feelings that a simple, ho-hum life can evoke.
Fifth movie in the Hissatsu (Sure Death!) Series. At the behest of a corrupt bureaucrat, a mysterious band of murderers wage a bloody battle against three deadly assassins.
In the 15th year of the Genroku era (1688), the world praised the 47 ronin who avenged the death of their master Asano Takumi-no-kami. Shogun Tsunayoshi, who ruled at that time, experienced difficulties in what punishment to impose on the soldiers. As a result, it was decided to sentence them to seppuku (ritual suicide).
Yasube Nakayama left the clan and lives in Edo. One day, Yasubei visits his uncle Rokuroemon Kanno to borrow money from a moneylender in the amount of 13 ryo in order to save Oteru, the daughter of a merchant. However, the next day, Rokuroemon was killed in a fight by the Murakami brothers. Yasubei rushed to the scene, took revenge and became the husband of Miya, the daughter of Horibe Yahei.
Seppuku Day 17 Ako ronins, including Kuranosuke Oishi, who were entrusted to the Hosokawa family, and the events of the two days before are depicted as a tragic romance between one of the ronins, Jurozaemon Isogai, and Omino. An adaptation of Seika Mayama play "Genroku Chusingura, the Last Day of Oishi", which tells about the torments of life and death of samurai living in feudal times.
In Tensho 9, as Oda Nobunaga nears the unification of Japan, he assigns trusted generals to conquer remaining regions. Meanwhile, a peasant farmer named Sahei, resembling Nobunaga, is chosen by Hideyoshi and Sen no Rikyu to act as Nobunaga’s shadow. Furious at the idea of a double, Nobunaga confronts Sahei, who courageously performs the "Atsumori" dance, impressing Nobunaga enough to accept him as his Kagemusha. Sahei’s first test as the shadow warrior comes at a memorial service for the Oda family.