Hanzo the Razor: The Snare

The 40th and final "Tengu Kurama" feature starring Kanjuro Arashi.

When an artist dies, the official cause of death is judged to be a stroke, but his daughter suspects foul play. She recruits the services of an assassin, who by chance encounters an old friend...

In the midst of the Siege of Osaka in the Sengoku period, a thrilling tale unfolds featuring a trio of ronin who manipulate a group of spies, a mysterious woman protecting a young lord, and the overwhelming roar of the Warring States captured on the silver screen.

Pursued by formidable Chinese assassins, young Kotaro and his dog run into No Name, a mysterious stranger who gets pulled into the chase. The unlikely companions form a bond over saving the dog from a poison attack, but chaos erupts when the assassins find Kotaro, and No Name must face his past before a horrible fate is met again.

Raised suckling poison arrows among the sparring Iga ninja factions, Mumon is a carefree 16th-century mercenary. When the ninja council makes a power play to defeat the young Nobukatsu Oda struggling to step into his father’s warlord shoes as they expand rule across the country, Mumon jumps into the fray to satisfy his new bride Okuni’s demand that he make good on his promises of wealth. Yet Mumon soon finds what is worth fighting for beyond money or nation.

Naosuke, a servant of Okajima Yasoemon, devoted himself to his master. One day, his master Okajima Yasoemon, lost his face in front of people. It was a revenge by Oono, a karo (minister) who lost his chance to earn money by selling a fake antique to the lord. Okajima told the lord it was fake. Okajima endured Oono's humiliation. But, his servant Naosuke, could not. But what could he do? Oono is superior of his master. Naosuke would not hesitate to lay down his life for his master. But killing Oono would ruin his master. He wanted to clear his master's disgrace. What to do?

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

The third movie following the exploits of bounty hunter Shikoro Ichibei. The theft of almost a half ton of gold from the shogunate's official mine threatens to bankrupt the government of Japan. Despite a desperate search the gold has not been found, causing officials of the Tokugawa bakufu to call on their most skillful secret agent, Shikoro Ichibei.

Takahashi Hideki stars as Muyonosuke, the one-eyed ronin who makes his living as a bounty hunter who is on a never-ending quest to find the man who murdered his father. The usually aloof Muyonosuke, who never would pause to help the common man winds up befriending an orphan boy and a mysterious woman, and getting involved in a feud between two families, but finds out there is a high power behind the curtain who pulls their strings.

A nameless gunfighter arrives in a town ripped apart by rival gangs and, though courted by both to join, chooses his own path.

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

Haunted by bad luck, two friends learn to trust in the world again and take their destiny into their own hands.

In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.

La Ultima Moneda

The secret warriors of feudal Japan were the ninja. Sent on impossible missions, the ninja were trained to work in shadows, gather information and defeat the enemy to build a world of peace. Akakage, Aokage, and Asuka are rookie ninjas under the tutelage of Shirokage. Their life is a series of perilous missions that entail intrigue, deception and intimidation.

Kanichiro Yoshimura is a Samurai and Family man who can no longer support his wife and children on the the low pay he receives from his small town clan, he is forced by the love for his family to leave for the city in search of higher pay to support them.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?