I Hate the Way You Sound

A curator at a high-profile art gallery finds herself drawn to a young, polyamorous artist who introduces her to a lifestyle that reflects a part of herself she had once abandoned.

By confronting the devastating truth of fatal violence against women, this experimental dance short shifts focus from passive victimhood to the strength and power of resilience.

For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.

Two children are directed by a cinemaker.

Phoenix answers the wrong call, and reality fractures. Voices distort, shadows follow, and every connection pulls him deeper into a nightmare he can’t escape.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.

A short experimental animation by Jules Engel

A young woman under the influence of narcotics finally realizes how she’s been spending her nights.

"Light from the Mesa" from Barn Owl's album Ancestral Star.

Short experimental animation by Jules Engel

Two stories about different ways two people overcome loss; which may or may not be connected.

Two people attempt to connect over a great distance.

Music by Austin Cesear, 16mm film by Paul Clipson.

Melancholie vnějších mezí

Plaga Alada

"When Mollie's routine between a real and surreal gets interrupted by an uncalled visitor, the line between reality and dream blurs."

This was a film about you

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Vigília Noturna