I Hate the Way You Sound

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

During the 2021 lockdown, I directed this short film as an intimate visual diary: a tribute to dance, music, and the queer desire to be seen. Inspired by Andy Warhol’s workshop spirit, the shoot became a stage where we played at being our own celebrities, exploring difference as affirmation. Three years later, this piece returns with a new voice-over—an echo of that creature who, even today, insists: “I am a star.”

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.

Filmed over five years across varied sites, Devereaux gives quiet attention to the shifting sensations of place. From rain and snow to beaches, mountains, and city streets, the film traces environments in contrast: rural and urban, water and land, summer and winter. These images, held in long takes, resist narrative flow, instead assembling a meditation on how landscapes provoke moods, memories, and ideas.

Shot in downtown Minneapolis, Rush Light assembles a rapid montage of fleeting street compositions. Through quick cuts and sudden shifts, Devereaux creates a collage of ready-made visual moments—buildings, signs, shadows, and chance alignments glimpsed in passing. The film operates as both a study of three-dimensional space and a meditation on the eye’s ability to seize upon images in a split second. Color, light, and shadow flicker across the frame, transforming the city into a shifting field of accidental design.

Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.

Drawn again from footage shot in the Torrance Public Library parking lot, Introduction to Crack Sealing 3 remixes material from the first two films into a new visual texture. Where the earlier works traced and fractured the asphalt lines, this version overlays them through double exposures that randomly overlap and fade in and out. The result is a shifting, layered surface in which gestures collide, blur, and dissolve, creating a cracked field of inscription.

An attempt to bring texts from Dante's "Divine Comedy" to life. Nine episodes from the Inferno with a concluding episode from the Purgatorio.

Co-directed by Max Devereaux and Igor Amokian, MD+IA=? is a sonic and visual collage that fuses circuit-bent electronics, broken tape loops, glitching drum machines, and free-improvised guitar. Amokian’s footage of modified CRT televisions generating unruly abstractions is layered with Devereaux’s processed iPhone videos, altered through datamoshing and glitch-editing apps. The result is a vivid collision of sound and image—a colorful flux of patterns and distortions where technology’s failures become raw material for improvisation.

A young man is visited by a ghost who claims to be an old Hollywood actress. Believing her, the young man appreciates her company and is happy to attend to all her requests. Will he be able to please this ghost?

A short student film reflecting on the reality of living in the modern urban dystopia

Anna comes from a violent past that has left her a recluse in her solitude.When a man knocks at the door her infancy returns....Will Anna open the door to the universe that she has created for herself to let life enter?

Deforming reality, objects and light. We are dealing with a fragmented mind. Mesmerised. Madness.

An experimental short where a character sends a series of progressively desperate emails asking for a job.

An audio-visual experience through the perspective of an iPhone depicting a harmonious city during the day quickly descend into technological madness as night falls.

As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.

Facing is a short experimental film that turns the grocery aisle into a frenetic canvas. Shot with rapid cuts and a constantly moving camera, the film zooms through product labels until they dissolve into chaotic blurs, streaks of color, and fractured lines. Familiar packaging blurs together in a fast, chaotic montage, where the images overlap and mix until they turn into shifting colors and patterns.

At once a journey and a reckoning, this film follows 19 year old Koen's ascent of Mount Rinjani—often regarded as Indonesia’s toughest summit. What begins as a test of endurance gradually transforms into something more intimate: a dialogue between self and nature. Shot as a reflective video diary, the film holds not just the view from the summit, but the moments of insight and introspection discovered along the way.

An exchange student in Eastern Europe enters a realm of unsettling phantasm.

How Montreal is transformed from winter to spring. Inspired by Berlin: Symphony of a great city, Printemps Now! is a cinematographic poem, an audiovisual symphony of the city of Montreal transitioning from winter to spring.