Two Men

Daniel, an arrogant, restless young Londoner is bored with his meaningless life. He seeks sympathy from his old Jewish grandmother, who sends him on a mission to Europe to find the grave of her father who disappeared during World War II.

A documentary feature by award-winning filmmaker Boaz Dvir, “To Kill a Nazi” tells the story of a French family man who sets out in to kill his father’s Gestapo executioner and ended up playing a pivotal role in history’s most audacious hostage rescue.

Joseph Gruferman, a concentration camp survivor struggles on his deathbed to convey a sense of what he experienced to his daughter. Archival footage of holocaust atrocities accompanies his monologues alongside the reflections of his wife and daughter on identity, persecution, and historical trauma.

Between the two world wars, 78 Hungarian coaches worked for Italian clubs, and every member of Italy's 1938 World Cup-winning team had a Hungarian club coach. The film follows the careers of two of them, Árpád Weisz and Ernő Egri Erbstein, both of Jewish origin and both with tragic fates, remembered in Italy and little known in Hungary.

This film, produced by the Museum’s Spielberg Film Archive staff, features 55 minutes of previously unseen interviews from the Claude Lanzmann Shoah Collection. SHOAH: The Unseen Interviews includes the testimony of Abraham Bomba, a barber in the Treblinka killing center, who escaped, was smuggled back into the ghetto, and tried to warn friends, who refused to believe what was happening; details of American responses to the Holocaust from Peter Bergson, who tried to rally American Jews and the US government to act sooner to save the Jews in Europe; and Ruth Elias’s harrowing tale of survival in Theresienstadt and Auschwitz-Birkenau.

This 38-minute film introduces the history of the Holocaust. It begins by looking back at the major changes from 1918 to 1933 that created the political climate for the birth and rise of the Nazi Party in Germany. It explores the basis for the party’s support among ordinary Germans and the military, government, and business establishment before and after Hitler was appointed chancellor in January 1933.

Thirty years after Primo Levi's death, Rai Cultura assembles a portrait that refuses to reduce him to the single label of Holocaust witness. Ten scholars, journalists and friends - among them the historian Carlo Ginzburg, the survivor and senator Liliana Segre, and his editor Ernesto Ferrero - each take up a different facet of a man who was novelist, poet, essayist, industrial chemist, amateur astronomer and mountaineer. Running through the film is the testimony of Ives Francisco, the young partisan arrested alongside Levi in the Aosta Valley in December 1943; the skis Levi left behind later carried Francisco into Switzerland and back again after the war, and give the film its title. Archive interviews return Levi's own voice on memory, work, writing and his Jewish roots.

I was eleven, and instead of filming my grandmother, I filmed the spires of Prague.

Born in Australia, filmmaker Mitzi Goldman embarks on a deeply personal journey back to her father's hometown in Germany to uncover the roots of the hatred and prejudice that forced her German-Jewish family to flee during the Holocaust. From this personal exploration of inherited trauma, the documentary expands globally to examine the mechanisms of intolerance. Through interviews and real-life footage, the film bridges the past and present, drawing parallels between historical European antisemitism, racial tensions in New York, and the geopolitical complexities of the Israeli-Palestinian conflict.

We think we know the full extent of the Holocaust. We don’t. Teams of investigators work to uncover the true scale of the Holocaust.

A powerful and emotional new episode of ESPN E60 will look back 50 years to one of the darkest moments in sports history – the Munich Massacre, when Palestinian terrorists murdered 11 Israeli sportsmen at the 1972 Summer Olympics. E60 will tell the story of one Israeli athlete, now 86, who survived, just as he had survived World War II and the Holocaust when he was a child.

Bella invited her new boyfriend, Damar, to come to her room in a women-only boarding house for the first time. Many things happened on that day, privately.

Paula, a 32-year-old actress, unexpectedly stops a robbery at a café and appears on the TV and newspapers. But as the days go by and her fame fades away, we begin to see a woman who works as something else and has moved away from her profession. As Paula struggles to assume her situation, she will get in touch with some past relations. Confronting them will put her back on the scene.

A boy has magic with his left hand. He was forbidden to use his magic in his village.

Mario and Silvia are a typical Montevidean middle class couple, going through the trauma of retirement. Due to Mario’s oversight in what was to be one of his last operations a small dog dies. Shortly after, Mario and Silvia find that thieves have entered their house. They have no choice but to leave and stay at their daughter’s house, where they will enter a spiral of insecurity and paranoia that will drag them to violence and nonsense.

Of Monks and Masters: Castle of White Horse

When Huguette, a 78-year-old former school principal, ends up homeless because she did not pay her rent, her neighbor Marion offers her a deal: a roof in exchange of her help to prevent the teenager she is raising alone, Rémi, from failing school.

Madeleine, rendered mute after being sexually assaulted as a youth, accepts a lift from a wealthy and sadistic pimp who soon enslaves her into his prostitution racket. Despite her limited means, Madeleine embarks on a bloody road to revenge against her captors.

A mother falls for a younger man while her daughter falls in love for the first time.

Donnie Rose went to prison for beating a young man so brutally it left him handicapped for life. Nine years later, Donnie is out. He's a different man with only one place to go: back home to the same violent and racist neighborhood that created him. At the other end of town, the black community still wants revenge. The instrument of justice will be Ossie Paris, a devastatingly talented boxer who challenges Donnie to a match; a match Donnie's family and peers won't let him refuse. George Carvery has waited nine years to avenge his son's fate at the hands of Donnie. When finally they meet face to face, however, both realize they share a similar desire to overcome the past.