Les abeilles ne sont pas encore mortes.

An 8-minute satire on politics featuring the first French presidential election campaign broadcasts from 1965 and The Shadoks.

Radio host and cyber hacker Skinny Mike and his assistant Crutch are asked to hack the Datadyne Corporation by a mysterious client. Created to promote Brain Dead and Gotcha's collaboration for a surf-inspired collection.

A young man walks around town, after deciding against taking his own life, and comes across a dying bird--to which he chooses to offer shelter.

A hand awakens to find his body unconscious. As the hand struggles to revive his owner, he discovers that his body has attempted suicide. The hand develops a plan, which sends him parkouring across his apartment. On his journey, he overcomes obstacles through this story of isolation, perseverance, and hope.

An experimental avant-garde film where the character battles with herself, struggling to understand and embrace her true identity. Blending dream-like and reality sequences together, the film connotes inside the character’s mind. Escaping to different parts of her subconscious, she is met with confrontation, fear & desire. This piece of work highlights themes of identity, surrealism & subjectivity, where the instability of the self is at the forefront of the film. The film uses elements of mixed media montage to portray the character’s inner thoughts.

Hunting, a vicious merry go round, a carousel for savage adults against wildlife. Avoid the circular logic of thinking about hunting in a roundabout way. Hunting must be stopped now, discursive roundabouts about the possibility of regulating it are circumlocutory escape routes! In this video, you hear ouzels singing in a cellar, deprived of sunlight, exploited and commodified, sold as call birds. Ouzels are highly sought for their wondrous vocalization. In turn, as in a death carousel, they are then used for attracting other birds that will be killed by legalized exterminators, otherwise called hunters.

A documentary on the work of experimental British animator David Anderson.

A Blue Soldier and a Yellow Soldier play a board game trying to outwit each other, struggling for control over a piece of land. The Farmer who belongs to the land is not allowed to play and must pick a side. As the fighting escalates, what side does she choose?

A critique of marketing speak in the commercial cartoon industry.

A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.

After receiving a text from his father, Axl, a grief-stricken guy must return to his province to resolve what remains after his mother's death, causing him to descend into the depths of his past.

The marshmallow test became the poster child for the idea that there are specific personality traits that are stable and consistent. And this drives Walter Mischel crazy. "That iconic story is upside-down wrong," Mischel says, "That your future is in a marshmallow. Because it isn't."

The soaked soil, Taking the shape of a mountain, Our river, Flows into yesterday's late sun, Fish try to shun their reflection, Bubbles wrapped the words filling up the fish tank, Fish die in between the gaps of language; Banana leaves brush away the dust on the table, Lungs that refuse to be cleansed, Thermos is a container for storing the shadow of the mountain, The inner shell broken, The mountain walks away in the night; Everything is collected into a shriveled wooden drawer, Bamboo baskets piled on the concrete floor, swaying, The grey soil flowing, Filling up all the old boundaries The dried earth needs no expression, All decisiveness and hesitation lie underneath the smooth surface

From the primitive touch to a 'twist, press, click'—— Piles of images generate and decay into the soil, they are the real flesh, also the intangible memory.

A mixed media film exploring the sweet & tender relationship between a family and their dog, Wandsey. ​Named after the borough of their home, Wandsworth, the film tenderly explores what home means, and how the presence & relationship of a pet can transform what home can be. ​With its scrapbook-like form, each memory turns like a page, as Gabby and her dad lovingly revisit the 17 beautiful years they shared with Wandsey. ​Softly and sweetly, the film asks what it means to love — and shows how the love we give & receive from our pets can truly transform a home.

In a dark and cramped attic, Luna, a moth with dreams of becoming a dentist, sets up her first professional practice from home. As she works, she discovers an intoxicating euphoria in the glow of her dental light, forming an obsession that fuels her craft and enhances her skills. As the days blur together, her fixation deepens and her artistry decays along with her sanity.

In a dystopian near-future where animal species are on the brink of extinction, a violent sociopath is interviewed by an institutional psychologist after confessing to a brutal attack. In search of a motive, the psychologist realises he must sink his teeth into the one thing that his subject finds meaningful: an obsessive fascination with animal nature and evolution.

A mixed-media animated short film following a pig man through a hallucinatory, manic experience in his bathroom.

When Naoko presses "play" on her CD player, she finds herself face-to-face with a mysterious entity inside of a subway train and reminisces on the meaning of friendships, nature and death.

Narrated as a letter to a mother, this short film traces the emotional undercurrents of leaving home and adjusting to a new environment, blending inner transformation with the changing landscape.