Door

Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.

A short documentary exploring the reason behind the return of analog media, specifically vinyl. The documentary focuses on Gabriella, the main participant, and her experiences and personal viewpoints.

A life, seen through paper.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

a young timid boy who is doubtful about faith and religion is beaten by curiosity and ends up wandering into a peculiar church and encountering a celestial yet godlike girl.

An experimental odyssey through altered realities and reconstructed archives, where wandering voices of the past, present, and future unravel the elusive nature of time and memory.

The film explores a young man's intimate relationship with the Internet. While the absence of a father figure has left him searching for answers, he finds an unexpected mentor in Google. From learning everyday tasks like shaving to discovering deeper knowledge, the algorithm becomes much more than a simple search engine, blurring the boundaries between real and virtual.

Les Îles Futures

The story of an invisible man who travels in search of an idea, told by a questionable narrator.

Old high school friends, Matt and Ben, reunite in their hometown but slowly realize their once-strong bond has drifted further apart than they initially thought, making the future of their friendship uncertain.

Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching.

At midnight, two lab assistants study an unknown substance using machines and procedures that are unclear to us. They pursue knowledge through the strict logic of the laboratory. As exhaustion settles in, one of the assistants brews Turkish coffee for the other, and the night shifts. The process becomes a fortune-telling, and the scientific gaze gives way to intuition. Moving from analysis to foresight, the two women imagine another method of knowing; a space where rational inquiry and intuitive perception coexist.

Based on a passage from The Mural by the poet Mahmoud Darwish, the film depicts a scene of an encounter between The Writer and Death, where the other came to seize the soul of The Writer, who refused to let his soul surrender to Death easily.

The uninterrupted light trail of one year and ten months, condensed down to 20 minutes, filmed on a self-made camera. Daily rhythms accelerate, slowly at first, then more intensely. A structuralist film about transience.

Between light, metal and silver, a collection of solidarity pins turns into an archive of another scale: spectres of exile and international struggle against Portugal’s fascist and colonial regime.

Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

A disillusioned young man enjoys the beauty of the last minutes before Tomorrow.

Corroded pixels struggle to form an image as they move through Cold War promises of development in rural Thailand, haunted by archival voices.

A new type of cinema you can perceive with your butt hole.