Who We Once Were

Amid the relentless pressure of looming deadlines, Nala (25), an illustrator, finds herself trapped in an art block that leaves her unable to complete her work. When she discovers a paper crane origami and her late mother's childhood sketchbook, she begins retracing the memories that first sparked her love for drawing. Through fragments of the past filled with hope, joy, and pain, Nala realizes that she has spent so much time chasing expectations that she has forgotten why she started creating in the first place. This journey leads her to embrace every experience both painful and beautiful as an essential part of who she has become. With a renewed sense of purpose, Nala picks up her pencil once again, not in pursuit of perfection, but to create honestly and reconnect with herself.

A Chinese-Indonesian teen confronts a stolen restaurant paycheck, a strained father-son bond, and the cost of his Ivy League future.

Harry, a young tradie relives moments of love and loss, confronting the question of what someone would do for love once its gone?

People of Walmart follows Annie Bell Ball, a Smith College graduate forced back to her hometown of Elkhart after the 2008 financial crash. Trapped in a low-wage job at Walmart, her dignity crumbles when a photo of her working becomes an internet meme. Humiliated and unable to escape, Annie spirals into despair, clinging to YouTube for comfort. What begins as a story of survival descends into tragedy, ending in violence that echoes the fractured state of modern America.

A poor girl struggles to buy new trending sandals.

Yusuf and his cousin Ambar spend a wild night out just before heading out of town for a relative’s wedding. When the pair passes out overnight and Ambar misses her flight, the two head off on a three-day road trip. Little do they realize those three days will have a lasting impact on their lives.

A love tragedy featuring a policeman, Ganpat (Modak) and a prostitute, Mainal (Hublikar). Ganpat saves Maina from a police raid on a brothel and they fall in love. Her reputation and sense of guilt resist his attempts to rehabilitate her. Ganpat's respectable middle-class mother (Sundarabai) symbolizes all that Maina would like to be, but she is arrested for murdering her evil uncle and refuses Ganpat's offer to release her from prison.

Shakespeare’s Othello is revisited exactly as it was written, brought into the present through the power of dialect alone. Iago, Othello, and Desdemona are regrettably still among us, in contemporary events told through a great classic. Set in the early 2000s, it is a timeless story where good and evil intertwine in a maelstrom of deceit, betrayal and mad jealousy.

An aging king splits up his kingdom for his three daughters to govern, but is misled about their affections and driven into exile.

For Dylan Hayden, life has been outwardly idyllic, but internally agonizing. He lives every day with the fractured memories of atrocities he witnessed a decade earlier as a young boy: the murders of his parents and two sisters. To help cope with the upcoming 10-year anniversary of the now infamous and high-profile murders, Dylan agrees to be the subject of a documentary directed by opportunistic true crime vlogger Ethan Lewis. As Dylan’s repressed memories gradually resurface, he begins to doubt everything he has ever known about his family’s past – including the truth about his own brother’s involvement in the murders. And when a series of events leads to a renewed public interest in the case, Dylan must confront the truth on his own and find closure once and for all.

After the loss of a young piano student, his girlfriend and his parents each tell a story about Charlie, but the stories don't quite line up.

A girl lives in a struggle and tear between her rejection of reality and her late discovery of the truth around herself, which leads the family towards a tragedy and an irreversible end.

When their eight-year-old daughter falls into a coma after a tragic accident, Eva and David are torn apart by grief. David clings to hope, unwilling to let go, while Eva cannot bear to see her child suffer and takes matters into her own hands—igniting a gripping courtroom battle over guilt, mercy, and the limits of love

Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.

An self-destructive comedian falls in love with the singer of a punk band.

In a world where Greek mythology is reality, Ben, a lonely reporter, finds his morals swayed by his desperation for affection.

After losing his family in a tragic event, a grieving man buries them with his own hands and sets out on a harrowing journey to his sacred temple. Consumed by rage and despair, he confronts the gods he once worshiped, unleashing his pain in a storm of cries and accusations. As his faith crumbles, he demands answers, questioning whether divine will or cruel indifference has stolen everything he loved.

On the night before Ashley’s flight, Ian drives her home, and they avoid the heavy roads of conflict and confrontation—stalling for time as their unspoken feelings linger between them.

Today is going to be a good day.... or so we hope. Watch as we follow a Mime go throughout their day creating a public disturbance with a smile that makes you nervous until their day goes from good to bad to even worse.

The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.