Sentimental Structure

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Cosme and Monica live with their children and grandchildren in Bahia de Kino, a fishing town in the northern State of Sonora, Mexico. They used to call themselves predators of the sea until one day they became unable to kill a sea turtle. Submerged in a crisis, they embark on a journey to try to save their way of life and of their fishing town through the creation of an environmental community group in charge of protecting sea turtles.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

85-year-old Margers stores his life's work in banana boxes - VHS tapes and DVDs that fill an entire room. However, as his eyesight rapidly deteriorates, it becomes unclear what fate awaits this unique cultural and historical material, which he has continuously documented over the years.

Márcia Antonelli: Das Palavras à Sobrevivência

El abogado

Cine Dunas

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and moods out of existing footage, mostly from early silent era films.

This short documentary, shot in the glass factories of Leerdam and Schiedam, demonstrates how glass blowers do their work. But thanks to the superbly edited ballet of working hands and the sequence of mechanical motions of the engines, is it especially a cinematic tour de force. That the industry can’t do without man’s involvement is shown in the scene where we hear the voice of Haanstra himself counting the bottles on the conveyor belt, until one bottle breaks…

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.

In a world bedazzled by intractable images, do we need the essay film now more than ever? Kevin B. Lee weighs up this distinctively self-aware, searching form of cinema through both video and text.

Non-human animals have always been around us, shaping and being shaped by our shared worlds. Yet in the modern city, their presence is increasingly cast as a problem, and their ways of living as disruptions. By following their traces, this film essay points toward a different picture that questions the narratives we take for granted. Through more-than-human encounters filmed locally in Romania, and a critical detour from the official discourse, other ways of living begin to surface. Perhaps there’s more we can do to unmake the anthropocentric landscape. What would it take to coexist more justly with urban animals? This film strays with this question and its possible answers.

In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmmaker. Its poetic images of water, skies and clouds reflect Haanstra's own moods.

Video poem about New Hampshire and its foliage in Autumn

Pictures taken between France and Mexico running at 8 frames per second.

Geografía personal

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.

What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.

"No Refunds" is a visceral, tangled descent into the transactional dynamics of intimate encounters, told through the language of bodies, sheets, and reflections, where the purchase of queer sex work is laid bare. As the filmmaker simultaneously takes on the roles of client and audience, the boundaries between documentary and performance fade, unraveling the artifice at the heart of sex work and the act of filmmaking.