Panta Rhei

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

A poetic journey from the darkness of dawn into the brightness of the midday sun in the American South. Filmed over the course of six months on one bus route in Durham, North Carolina, this film is a celebration of light and a meditation on leaving.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Before Cinema Novo revolutionized the Brazilian cinematic scenery, a young craftsman and Bahian filmmaker had already paved the way for the beginning of the journey for some of the biggest and most popular films of Brazilian history. The documentary tells fragments of the story of director Roberto Pires, through snippets of his life and a journey through his body of work, interspersing archival footage, scenes of his films and an interview with his son, also a filmmaker, Petrus Pires, followed by a poetic narration and an original soundtrack inspired by his film Abrigo Nuclear.

An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

Meditative and quiet movie about transphormations of Dnipro river in Ukraine, that touches theme of collective versus individual rights, filmed in the dusk of USSR.

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.

In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.

An experimental short film about wind and sunlight sweeping across tree leaves.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.