Les Visages de la Moldavie

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

Ming Wang is an impoverished Chinese prodigy who flees Communist China to become a pioneering eye surgeon in America. When tasked with restoring the sight of an orphan in India, who was blinded by her stepmother, Wang must confront the trauma of living through the violent uprising in his youth, the Cultural Revolution.

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

In February 1944, in a courtyard at Fresnes Prison, the Germans staged a spectacle to stigmatize a group of communist resistance fighters—all foreigners and mostly Jewish—who had been arrested a few weeks earlier. The propaganda aimed to discredit these fighters, portraying them as terrorists and criminals, even though they had managed to carry out numerous attacks against the occupiers in Paris. The red poster, plastered in thousands of copies across the country, would immortalize them in legend. They were subsequently executed at Mont-Valérien, near Paris. Missak Manouchian, the Armenian who led these fighters, now embodies this group in the collective memory as he is enshrined in the Panthéon, on behalf of all his comrades, 80 years after their execution.

Between playing, colouring in and singing, children in a Paris primary school learn about the impact of political decisions on their everyday lives and their future. The documentary sheds light on the future of the education system.

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

Since the enactment of the Anti-Boryokudan Act and Yakuza exclusion ordinances, the number of Yakuza members reduced to less than 60,000. In the past 3 years, about 20,000 members have left from Yakuza organizations. However, just numbers can’t tell you the reality. What are they thinking, how are they living now? The camera zooms in on the Yakuza world. Are there basic human rights for them?

The film is based on a Canadian NRI Punjabi, who goes far away from his religion. Due to his busy work schedule he fails to give time to his family and teach his child about his culture and Sikh religion. He comes to Fatehgarh Sahib in Punjab along with his family to reconnect with his ancestral roots, culture, tradition. His grandmother tells about the entire history of martyrdom of Chote Sahibzadas and Mata Gujri.

A portrait of the Director’s maternal grandmother, Eliane, a French woman who lived her entire life in Tunisia. The film shows her last moments at home with her family before her passing due to Alzheimer's disease.

Total contrôle

LIKE is an IndieFlix Original documentary that explores the impact of social media on our lives and the effects of technology on the brain. The goal of the film is to inspire us to self-regulate. Social media is a tool and social platforms are a place to connect, share, and care … but is that what's really happening?

Almost five years after their return to power, a new era has dawned under the yoke of the Taliban, an inflexible fundamentalist regime. Under their rule, the former republic has disappeared, replaced by an ultra-rigid power structure closed off from the rest of the world and the foreign press. An "Islamic Emirate of Afghanistan", largely unrecognised, even by Islamic theocracies. After four shoots, mainly carried out outside the official framework, "The Taliban Country" offers a glimpse into the heart of this new Afghan reality. Through the eyes of the men and women facing these upheavals, the film paints a portrait of a paradoxical and radical system. It offers an in-depth look at the workings of a state characterised by extreme rigour, unparalleled in the contemporary world.

About Stefan Stricker, who calls himself Juwelia and has been running a gallery on Sanderstraße in Berlin Neukölln for many years. Every weekend he invites guests to shamelessly recount from his life and to sing poetic songs written with his friend from Hollywood Jose Promis. Juwelia has been poor and sexy all her life, has always struggled for recognition, but only partially.

Since he was 18 years old, Blake Eckard has written and directed six feature length films in his hometown of Stanberry, Missouri (population 1186). Aside from a short distribution deal in Canada and a few festival screenings, his movies have largely gone unseen.

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.

Áurea

Ione

A love letter to cinema and a personal reflection on loneliness. Segment from Fringe Hippo's anthology film "Elegy Apokalypto".

The short reportage film depicts the situation of hard-to-recycle waste. Our guides are a local government employee and the staff of Technical Services Zlín, whom the director interviewed and filmed at work. In the local context of an East Moravian municipality, it examines the technical, economic and political aspects of the problem. In addition, there are the inevitable social issues regarding the wider sustainability of the contemporary consumer lifestyle.