Mexico Gore world

Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.

This film continues along the same lines as F.O.D. 1 with short scenes of material related to death. Mortuaries, accidents, police work are filmed by television equipment and domestic video cameras.

Gory real-life footage of blood and guts on the German Autobahn, drug smugglers getting blown away, a parachutist landing in a crocodile pit, torture and murder in El Salvador, a PCP addict getting stoned, a videotaped rape/murder, a car thief getting ripped apart by two junkyard dogs, and much more.

Contains more than 50 separate scenes of blood-chilling horror, none of which have ever been seen by the public, depicting a cremation, an electrocution, a terrorist destroyed by his own bomb, the massacre of a Columbian wedding party, the drawing and quartering of a Russian peasant and a man-eating tiger turning on its trainer.

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

"Banned In America" shows video clips of the darkest elements of human nature, society, and life; the very things that bring fear and disgust into our collective existences. Whether it be live executions, live suicides, or miscellaneous forms of evil, "America" shows us that a sinister world of death lies right outside our door, just waiting for our number to be called.

A collection of death scenes, ranging from TV material to homemade super 8 movies.

When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.

Director/Creator Conan Le Cilaire attempts to quell the mysteries surrounding his controversial Faces of Death film series. After the release of the films, questions arose as to the authenticity of some of the scenes in them and whether or not the films themselves belonged to the outlawed "snuff film" genre. Mr. Le Cilaire reveals information regarding scenes such as those involving monkey brain meals, animal slaughter, and executions.

Shockumentary that consists of various scenes of stock footage depicting death and real scenes of violence.

The second installation to the bizarre shockumentary series Traces of Death.

The third installment in the Traces of Death shockumentary series.

The fifth installment of the self-proclaimed "first true shockumentary" series, dealing mostly with backyard wrestling and occasional instances of graphic violence and sexual assault.

A journey hosted by Dr. Louis Flellis into the depths of depravity to some of the most bizarre and grisly death experiences ever recorded.

This visceral cinematic snapshot is an inventive commentary on the pleasures and dangers of wielding a camera. Using different video and film formats, the director tries to record life as it is, unpredictable and at times dangerous.

Bunky Blum is picked on in school. His only peace comes during lunch hour, when he and his mentally ill Mother eat McDonalds and visit a talking train named Train. The 83 year-old train is now a caged monument in the center of a children's park. However, Bunky believes that the train will break out of its confines and save him from the bullies of the schoolyard. When Bunky realizes that the train is not magical, all hope is lost and Bunky has a moral melt down. In a fit of rage, Bunky punches a girl in a wheelchair. The unsympathetic move lands Bunky on the losing end of a full out brawl. Bunky's Mother witnesses the schoolyard violence and she erupts into her own fit of rage, which ultimately sends her back to the psych ward. In the end, Bunky is left without hope, without family and without security. He returns to the old train to make a final plea for vengeance. But Bunky's giant steal savior has not come for vengeance. Rather, it offers Bunky what he needs, a shush of peace.

Dualidad

Mi-ja, who has been taking care of a retired teacher, Ms. Park, invites several of her former students to her house 16 years after their graduation. Since the end of her teaching career, Park has been residing in the countryside, suffering from an illness while an ex-student, the kind and pretty Mi-ja cares for her.

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.