Carnevalesca

A social drama set in the milieu of the arts.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Lilla Gravert falls into the clutches of a master blackmailer, Eric Helsingor.

The Devil's Toy is a 1916 American silent drama film directed by Harley Knoles and starring Adele Blood, Edwin Stevens and Montagu Love.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.

The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.

As a reporter, Dick Farrington is sent to cover an assignment that promises a big story. A lawyer has advertised for an ex-Marine who is a boxer. He makes good beating up a gang of roughnecks picked for the purpose, and secures the mysterious job that is filled with danger. It is to guard the heiress Lady Chatfield, but the hero is told nothing as to the secret in back of it all. Dick poses as Lord Grantmore, wears a monocle, and otherwise acts like a titled Englishman. They proceed to the mining town of Goldbrook, where the heiress is to occupy a mysterious mansion on the occupancy of which hinges a great fortune. The engineer of the mines is deeply interested in thwarting the plans of Lady Chatfield, and with his gang of roughneck miners makes things lively for the pugilist star in a series of fights that are hair raisers.

When Madge, a clerk in a flower shop, is sent to a bachelor's apartment to deliver and arrange a bouquet, she discovers a guest, young and handsome Bradley Lane, taking a bath. She loses her job and becomes a playgirl until Bradley, her true love, asks her to marry him.

A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...

Left with the care of his little grandchild through the death of his daughter, old Mr. Blinn tries in every way to give her the cure and attention which she needs.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.

Joe Ryan, a veteran train engineer, is demoted to a flagman position after a disastrous crash-- one caused by his cowardly and opportunistic partner. Though Ryan's failing eyesight is named as the cause of the crash, he's undeterred as he designs an automatic braking invention.

Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!

Therese Roger, daughter of a West Indian planter, whose parents are murdered while she is a baby, becomes the adopted daughter of her aunt, Madame Roger, keeper of a haberdashery shop in one of the smaller villages in southern France. She grows up with Camille, Madame Roger's son, a sickly, sexless creature, whom she ultimately marries in deference to her aunt's wishes.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.