Ó, roma mulatínen

Lida Goulesco and Schnuckenack Reinhardt Quintett recorded live 13/14 May 1970 at Heidelberg and Ludwigsburg, West Germany. They released several albums and toured parts of Europe 1969-1972. Included songs are "Szép A Rozsám", "Tu Djaial", "Valse Á Schnuckenack", "Sjerze Djewuschki", "Nuages", "Schuker Djuwel", "Valse Á Django", "GariGari" and a couple of songs in English and French. Lida Goulesco was born i Petrograd 1917. her family fled to Paris where she became a café-singer at 17. She died in Paris 1977.

On a trip to the Aegean, Maria D., who lives withdrawn and is shy of people, is confronted with the impressions of an archaic culture. Fascinated by the morbidity and religiosity of the people living on a Cycladic island, she decides to put an end to her loneliness.

This colourful, music-filled and sensual melodrama based on early stories by Maxim Gorky tells the fatal love story between the beautiful and rebellious girl Rada and the handsome horse thief Zobar. The story is set in early 20th century Bessarabia, now part of Moldova, then belonging to the Austro-Hungarian Empire.

Roma are an important part of Ukraine's population. There are quite a large number of them living in the country—between fifty and one hundred thousand. This documentary shows the peculiarities of the Gypsy people's life in modern society. You will see the stories of five Gypsy barons who will talk about the traditions of their people and reveal some secrets that were previously known only to the Roma.

In a school somewhere in the border region, a young teacher is trying to integrate Romani children into the classroom. But their families remain suspicious of education. The filmmakers have chosen a largely romantic view that does not penetrate beneath the surface. They have included numerous folklore examples, acting as the most attractive element. The real problems can thus only be imagined.

The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.

Muzafer Bislim comes up with some of his most insightful songs while sitting on the floor, recording lyrics into a cassette recorder bought at a flea market. A poet and songwriter who collaborates with the biggest names in Romani music, the 54-year old lives a life of modest means with his family in Shutka, Macedonia. Stored in the corner of his one-room house is a tottering, ceiling-high stack of handwritten, 25,000-word, multi-dialect dictionary of the oldest and most obscure words in the Romani language, which he has painstakingly collected over 35 years. When he's invited to the International Biennial of Poets held in Paris, he sees the trip as an opportunity to have his dictionary published. A testament to the endurance of a people who have been scattered across Europe, the dictionary is not only a work of art but also a rare link to a divided past.

A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.

A look at the monotonous daily struggle of a father and daughter in a windswept, desolate landscape. Over six days, their routine of eating boiled potatoes and tending a failing horse crumbles, symbolizing a slow descent into darkness, emptiness, and the end of existence.

"Why is my son stupid?" laments the poor Roma coal miner. His son Dilino is a nice boy, but he still causes his parents a lot of worry. He hasn't picked up much sense, so he's not much use to the coal family, and he's got all kinds of crazy ideas on top of that. For example, he began to force his unfortunate father to go and ask for the hand of the princess herself for him!

Tulakóna

The first film ever broadcasted in Roma language on Czech public TV without Czech subtitles. Good Heart is an adaptation of a Roma folk tale recounting an evening in a little cottage house in the countryside.

A documentary about a young Finnish Romany Carmen, 11, who lives with her grandmother and aunt in the suburb of a small town in Northern Finland.

When a homeless Romani boy is arrested at the Danish border for possession of a missing public servant's passport, police inspector Carl Mørck and Department Q are tasked with finding the connection.

In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.

Miko is a truck driver, his father is Romani, and above all he is a man who wanted to help those in need. When the Czech government was looking for reasons not to take in a few dozen children from Greek refugee camps after the chemical attacks on Syrian civilians in 2018, Miko took justice into his own hands and, together with the Czechs Helping initiative, prepared facilities for child refugees. However, government officials gave priority to political interests. Will parliamentary elections and a change of ministries save the situation? An unflattering but accurately portrayal of the Czech Republic as a country that will only offer a helping hand when it is worthwhile.

With the UK’s hardening immigration policy in the background, director Mira Erdevički follows the lives of three Roma: Petr Torák, Denisa Gannon and Ondrej Oláh. Settled in the UK over 20 years ago, the trio still feel attached to their native Slovakia and the Czech Republic. As the country goes into lockdown, they film their lives throughout the Covid pandemic and the aftermath of Brexit.

The protagonist of Dajori (mother in Romani) is forty-five-year-old Marie Hučková, who lives with her husband in Varnsdorf. After her younger sister Iveta ends up on the streets with her nine children, she decides to take her own fate and theirs firmly into her own hands and attempts to break out of the vicious circle of poverty that characterises their hometown. This sensitive film, which captures three years of a newly formed family's life together, follows the small joys and daily challenges of caring for others and asks whether a mother's love can overcome the dysfunctional system in which socially excluded localities find themselves.

Somewhere in Sweden, a gigantic dumpster breaks free from a heavy chain suspended underneath a big helicopter. The dumpster hits the ground with a formidable crash and the garbage spouts out into the surroundings. Meanwhile, an aging Roma woman wakes up in her house with an extremely strong desire to get her old wall clock back.

Moved by a sense of outrage, David Scheffel, a Canadian anthropologist, is determined to help the impoverished Roma (Gypsies) rebuild their community in the eastern Slovakian village of Svinia. So-called “white” Svinia is a picturesque, typical Slovak village with well-kept homes, gardens, a store and a school. Some 300 metres past the last home is “black” Svinia, where the Roma live in squalid tenement blocks and one-room huts of sticks and mud-with no clean water or sewage facilities and with little hope of employment. Many Svinians, whose homes and gardens are regularly burglarized by the desperate Roma, have lost all patience and sympathy. Throughout Eastern Europe, the painful transition from communism to democracy has relegated the Roma to the farthest, most grotesque margins of society. The Gypsies of Svinia is a testament to the firm resolve of Scheffel and the Roma to make things better.