Acasă, My Home

While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Memórias de Izidora

The Film revisits the event, when 1800 Bengali Muslims were killed in Nellie and surrounding villages in Assam. It is an exploration of how the survivors remember the violence, over three decades later, and how the spaces that witnessed this violence continue to mark people’s relationship to history and memory.

La Guerre des centimes

A documentary exploring sexism and patriarchy in Kosova.

Documentary about the Holy Angels Residential School in Alberta, where hundreds of First Nations children were imprisoned.

For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.

Just a stone’s throw from downtown Montreal is the largest social housing complex in Quebec. Built in 1959 where the red-light district used to be, Les Habitations Jeanne-Mance have retained something of the area’s seedy reputation for poverty, prostitution, drugs and violence. But who really knows the projects and the people who live there? Delving beneath the prejudices and stereotypes, director Isabelle Longtin ventured inside the buildings and met the residents.

A feature-length documentary tracing Eric Bellion's psychological journey during his race on the Vendée Globe 2016-2017, a yacht race around the globe, single-handed and without assistance. Eric Bellion filmed himself during the 99 days of his race. He has never sailed solo for more than 6 days. This is an unprecedented immersive document of a man facing himself, loneliness and natural elements.

Tokio - Die Stadtkultur von morgen

Indonesia, 1965: hundreds and even thousands of people are arrested without warrant. Some did come back, the others lost without trace. Svet, one of the survivors of the Indonesian dark history recounts the memory she had of her father, whom she believes to be responsible for the 1965 tragedy.

Joko Supriyanto is a high school student in Yayasan Pendidikan Anak Luar Biasa (Special Needs Education Foundation) Cepogo, Boyolali--a foundation that facilitates education for the children with special needs. Joko has visual impairment that disables him to see normally.

Tells a story about a blurry photo of a woman who works in the media industry in Indonesia. This movie has several perspectives. One point of view is of a woman who works in a media and the other is about the sexual minority, people who aren’t allowed to appear on television due to their sexuality.

Vena, a Catholic, lives in the Muslim-majority region Aceh. Vena wears veil in her daily life and befriends many Muslim friends. Nevertheless, how can she be herself and adapt as a minority at the same time? Family plays an important role in her life.

A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.

A rampant, street level story of mentorship and everyday heroism in tough circumstances. An inner city coach's son, estranged in his youth from his father, spends five years on ball fields in inner city Oakland and Havana, following the lives of two extraordinary youth baseball coaches, Roscoe in Oakland and Nicolas in Havana. The coaches meet on videotape and two years of red tape later, Coach Roscoe and nine Oakland players travel to Havana to play Coach Nicolas' team. For one week, the players and coaches eat, dance, swim, argue and play baseball together. But when the parent of an Oakland player is murdered back home, it brings back the inescapable reality and challenges of life in an American inner city.

Four female friends from Egypt with opposing religious, social, and political views listen to one another's perspectives and argue openly, without ever breaking the bond that unites them.

Award-winning documentary, Sitting Bull: A Stone in My Heart, makes extensive use of Sitting Bull’s own words, giving the viewer an intimate portrait of one of America’s legendary figures in all his complexities as a leader of the great Sioux Nation: warrior, spiritual leader and skilled diplomat. Sitting Bull’s words, as portrayed by Adam Fortunate Eagle, dominate this story. Augmented by a narrator’s historical perspective, over six-hundred historical photographs and images, and a compelling original music score, the film brings to life the little-known human side of Sitting Bull as well as the story of a great man’s struggle to maintain his people’s way of life against an ever-expanding westward movement of white settlers. It is a powerful cinematic journey into the life and spirit of a legendary figure of whom people have often heard but don’t really know.

Growing up in times of conflict - 13-year old Palestinian girls Wafaa and Raneen from two different Westbank villages are faced with the option of going on a one-day trip to the beach in Israel. Although they live only a few kilometers away, they have both never been to the sea. Israeli peace activists organize a day at the beach in Tel Aviv for Palestinian women and children, to let them exchange the view on the Wall against the horizon. One summer morning, Wafaa is preparing for the journey and imagining pretty people in Israel, while Raneen is playing freedom fighter with her friends. Her village is in constant conflict with the Israeli soldiers and for her and her parents it is out of the question to spend a beach day with the "others". Is the day by the sea a one-day utopia? Or a possible future?