Between documentary images of a craftsman in his workshop and spaces threaded with loose strands, Acabado, Permanente Inacabado constructs a living journey that questions the illusion of a finished work, insisting on the possibility of returning, unraveling and allowing the act of creation to bloom.
16mm color work by Stan Vanderbeek that takes his work away from the cutups and the commentary and lands him in the psychedelic and abstract. Opticals, repetitions, camera moves and zooms are what make up the bulk of this exploration into fluids. The results bridge that realm between hangout art piece and intersteller stoner trip.
The salmon is a species known to go in counter-current through the rivers to lay their eggs, and then die. A short experimental documentary about fragments of the poem 'Missing' by Mario Benedetti.
Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.
Inspired by the “psychic and physical toxicity of life in late capitalism,” Evan Caminiti’s Toxic City Music utilizes sounds sourced from daily life in NYC. These found sounds are heavily processed and woven into instrumentation ranging from electronically treated guitar to modular synthesizers. Toxic City Music evolved over the course of several years, resulting in a wealth of material which will be re-processed and uniquely presented in an improvisatory manner in live performance. The Wire describes the new work as "The sound of things falling apart with unbearable slowness…[with Caminiti] reporting his observations with acuity, integrity, and artfulness."
Childhood memories of the author's life using images of dance performances with music from a genre she discovered in her adolescence. Both marked her formative years in different ways. By replacing the original sound with the music she began listening to in her adolescence and which had a great influence on the construction of her personal identity, the author seeks to transform the memory of traumatic times of rivalry and body shaming between girls, which in some way affects her to this day.
Everything flows.
An philosophical film assembled from archival NASA footage exploring humanity’s search for meaning in the silence of space.
In a world full of whimsical nature and perfection, a man embarks on an obsessive, artistic journey to recreate the world that was introduced to him.
Single frame exposures of words.
How heavy is an emotional relationship in TRANSit? Giving love? Losing love? Having, in my chest, not only a heart but also longing? That's why I record you this: for us to continue.
This short film shot in a small town in Sweden navigates themes of nostalgia through an original monologue, reflecting on gender identity struggle and the pursuit of a new beginning in a foreign land.
A self-portrait film about sentimental objects and moments in life.
Feeling lost, a holidayer takes a vacation, only to discover a world that is as banal as it is hyper-real. A found-footage essay film. A home-movie. A music video. An experimental documentary about the fantasy of air travel. Taking a tour of the global centres of accumulation - New York, Dubai, Burning Man - Twilight documents the unreal, the mundane and the spectre of ecological collapse.
Mea Culpa
Takashi Makino’s source of inspiration, our place in the world and the universe, never seems to dry up in view of the never-ending flow of immersive films. Generator may well be the earthiest of his films so far, made as a reaction to the Fukushima disaster. A reality check, but in the world that Makino shows, this can never be achieved without looking inwards too.
They built her world. They defined her dreams. Now, she's breaking free. "Half" is a visceral exploration of teenage emancipation, where a young girl shatters the rigid confines of her upbringing, only to discover a seductive darkness lurking beyond. "Half" is a captivating journey into teenage self-discovery, where freedom's embrace is as intoxicating as its potential for destruction.
Rays of light shimmer on a phantasmagoria of darkness.
Flares of color break into streams of light, leaves, wood grain and prism-etched vegetation. A moon lifts out of this dark weave to be replaced by autumn leaves against a grainy sky, a fiery sky. A gray cat licks itself. A black cat sits quickly down on a green lawn. A "night" of showering dark, a "dawn" of pinks and yellows of plant growth in close-up. A gentle yellow "high noon" prevails into which the orange worm appears and reappears, twisting, arching, turning. A phosphorescent orange of leaves explodes midst greens and black holes appropriate to the image of the worm. The forms of many varieties of leafage mix with a veritable rain or clash of overall tones, a fire of forms, a glowing color photo-negative of worm, and the final canopies of autumn tone and sky tone permeated by sun, sun streaks and octagonal prism shapes ad infinitum.
Breki, a 20-year-old man, returns to the neighbourhood where he grew up to make a documentary film about his own childhood.