Panorama of a Herring Fisheries Station

Tian Soepangat joins the U.S. Navy out of a commitment to helping others. As a Muslim, Tian is uncertain of his shipmates' attitudes toward his religion, and so he hides it. Eventually discovering he doesn't have to hide his faith, he is free to express pride in his heritage.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Gonzalo Suárez: Sam Peckinpah, director salvaje

Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.

The Bitterfeld lignite combine includes a large number of lignite plants, open-cast mines, power stations and briquette factories. The film presents several mining professions, shows miners' jobs, mostly in connection with modern mining technology, and points out the great prospects that mining offers in a wide variety of professions.

In December 2001, in Buenos Aires, great crowds of people are heading towards the historic square Plaza de Mayo. Argentina, once amongst the richest economies in the world, has gone bankrupt. The government has resigned and Argentina’s president, Fernando de la Rua, flees from the presidential residency in a helicopter, amidst a storm of enraged people clashing with the police, breaking banks, looting super markets and shouting “Out with the lot of them!” The 2001 social explosion marked the end of a neoliberal economic model which lasted 10 years and left a toll of 35 deaths (murdered by the police and the private guards of the banks), 30,000 collateral damages (suicides, heart and brain attacks) and approximately 20,000,000 (over half the population) submerged in poverty and misery.

From beautiful but dangerous waterfalls to canyons and underground rivers carved into stone millions of years ago, Wild Australia is a stunning look at our fragile world and how it relates to Earth of ninety million years ago

A road safety film for pedestrians in city traffic. Demonstrates typical unsafe practices.

Short documentary about Twin Peaks: The Return.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Biodun is Nigerian. In this animated documentary, he tells the story of his journey on foot from Lagos to Paris, how he survives with a container (un bidon) and thanks to his courage. With his amazing patter, he transforms the events into extraordinary adventures.

The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls and at festivals.

Last Hours of Pompeii

Candles, tears of crying women, memories: that is how the film In Thy Blood Live begins. David Perlov's camera travels over photographs, focuses on faces that are no more, as in a gesture of parting. The history of the Holocaust is revealed in this film in a condensed, intensive way: first the memorials for the victims throughout Israel, and only then the beginning of it all - the rise of the Nazi regime, the Ghetto with its hunger and death, but with its music and theatre too, the uprising, the death camps; and it ends with the trial of Adolf Eichmann, one of the chief architects of the genocide. The music of Oedoen Partos, blending Jewish, Israeli and European motives, helps portray in sounds that lost world which now belongs to memory alone

Captures the violence and tenderness, alongside the dominance and submission, that is found in a single, intimate embrace.

Presented by Prince Wilhelm of Sweden, a film about the Västergötland province.

This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.

Björn Frantzén - jakten på stjärnor

A brief feature that showcases various cast members discussing the film.

Für Frau Foerster