Social media corrupts the mind of a young University student--but can he escape the psychological torment of alienation?
Frankie and Lucky, two young artists navigating love and identity in New York City, cross paths again after years of separation. Their reunion in a bookstore triggers a flood of memories, reopening wounds from their past relationship. As Frankie revisits the apartment they once shared, she reflects on their tumultuous past—Lucky's struggle with trust, Frankie's desire for autonomy, and the emotional weight of unspoken truths.
The why is an experiential meditation on death, on loves lost, the duality of mind, and ultimately the nature of attachment and memory turned obsession.
Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.
Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).
The Water Station is a film adaptation by playwright, director, and NYU Abu Dhabi professor Abhishek Majumdar of a play by Japanese playwright Ōta Shōgo, written in 1981. It is about our experience of the world and how it is shaped by what we have to leave behind, who we can leave with, and what happens when we meet others in our journeys.
L'Image de la culture
The experimental film follows a young woman as she struggles to keep up with the fast pace of life. The film delves into her inner turmoil as she tries to escape the relentless pressure of time and find a sense of peace and belonging in a world that never slows down.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
A loop of a guy in Maine hanging out in his room.
Experimental short film
After an intruder infiltrates her apartment, Allie must deal with the remnants of painful memories that she refuses to accept.
Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
A wall-painting on Earth is too terrifying to exist, so unknown forces remove it.
The people are in turmoil. The ground from which their enchanted garden grows, is trembling. Between bushes and trees, flowerbeds and fountains, everyone has lost their way on their own. Their eyes search for paths, their hands try to remember. Sometimes they spot something. Sometimes they listen. They catch a whisper, a faint promise. They follow the petals downstream. Further.
An abstract exploration of memory and loss.
The end of the world isn’t a global catastrophe, but an inner sense of total collapse, like for a man who’s lost his job and doubts his wife’s loyalty. In despair, he goes fishing and finds a wounded angel. He takes the angel home on his bicycle and introduces him to his family. But soon after, during a party at a local bar, the angel is accidentally shot by a neighborhood policeman. Based on Gabriel García Márquez’s short story 'A Very Old Man with Enormous Wings'.
Sketch Fragments
A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.
Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.