Three Voices

The tobacco industry's conspiratorial efforts to market their products in the face of public health facts and public opposition.

A documentary about the three Woodstock music festivals.

Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.

An insider's look at the first year of an activist group known as the Lesbian Avengers.

Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia.

With over 300 million firearms, the U.S. holds the highest rate of gun ownership per capita in the world. Meanwhile, with each gun-related tragedy, the question remains whether to regulate or to arm. Increasing demand, illegal distribution and emerging 3D technologies threaten to upend the traditional debate of gun control. As discussed in interviews from Austin to Grand Rapids, Denver to New York City, NO CONTROL seeks to address the efficacy of gun laws and the ongoing debate between personal freedom and public safety in a candid discussion of one of the most complex, contentious issues in American history.

Second in the series by the Maysles brothers documenting the monuments/sculptures of Christo, whose art projects are landscape-scaled, and more "pop" performance art designed to question how we relate to art in the public sphere, especially when it's as oblique, non-political (at least, that is what he would claim), and neutral as running a fence through a landscape.

The Maysles' third film about the artists sees them trying to get three projects off the ground: wrapping the Pont Neuf, the oldest bridge in Paris; wrapping the Reichstag; and surrounding eleven man-made islands in Florida with pink plastic sheets. As the latter is the only one that gets approval, it gets the bulk of this film.

Documentary about conceptual artist Christo and his wife Jeanne-Claude's attempt to "wrap" the Pont-Neuf in Paris.

Many German products have made it to the top by sporting the label "Made in Germany". But Germany has also succeeded in securing a leading position in Europe by means of a very special service: prostitution. For the very first time, this documentary lifts the lid on how sex tourists from all corners of the globe come to Germany to enjoy a brothel holiday, with punters from Europe, the USA and Asia. The price-performance ratio is internationally as good as unrivalled. For six days and nights, the brothel holidaymakers make their way from one amusement institution to the next. At the top of the itinerary are the so-called flat rate 'whorehouses', where one payment secures as much unlimited sex and drinks as one wants. It's a side of Germany most people have never heard of - let alone seen.

In 1960 Adolf Eichmann was kidnapped in Argentina and taken to Israel to face trial. In 2016, Renate -a young German translator who lives in Buenos Aires- is hired to translate it. Her work shows the unusual life and remarkable trial defense of Eichmann.

In 1972, Djibril Diop Mambety shoots "Touki Bouki." Mory and Anta are in love. Two young lovers share the same dream: to leave Dakar for Paris. At the fateful moment, Anta embarks. Mory stays alone on quay, unable to tear himself away from his land. Forty years later, "A Thousand Suns" investigates the personal and universal inheritance which represents "Touki Bouki." What has happened since? Magaye Niang, the hero of the movie, has never left Dakar. And today, the old cowboy wonders where Anta is, the love of his youth. Stories about family, exile and cinema meet between the sphere of intimacy and that of myth.

Filmed for over 10 years, this epic documentary presents the story of renowned Taiwanese choreographer Lin Lee-chen and her Legend Lin Dance Theatre. Extracting the essential details of Lin’s daily life, the film explores the origins of her dance, contemplates the poetic and ritualistic movements she creates, and delineates her lifetime pursuit of aesthetic concerns.

In 2011, Pulitzer Prize-winning journalist Jose Antonio Vargas outed himself as an undocumented immigrant in the New York Times Magazine. 'Documented' chronicles his journey to America from the Philippines as a child; his journey through America as an immigration reform activist/provocateur; and his journey inward as he re-connects with his mother, whom he hasn't seen in 20 years.

Money & Life is an inspirational essay-style documentary that asks a provocative question: can we see the economic crisis not as a disaster, but as a tremendous opportunity? This cinematic odyssey connects the dots on our current economic pains and offers a new story of money based on an emerging paradigm of planetary well-being that understands all of life as profoundly interconnected.

Filmmaker Sandra Luckow follows a 15 year old, then unknown, Tonya Harding to her first National Figure Skating competition in 1986.

An experimental film poem in celebration of life and visions. Techniques include live action, animation, montage and found images. Preserved by the Academy Film Archive in 2011.

A film poem using found film and stock footage altered by printing, home development and solarization. It is a film using visual relationships to invoke a feeling of flow and movement.

The panoramic shots are breathtaking: a majestic mountain landscape in winter, flat-roofed tin shacks cowering next to one other, women perched on steep slopes using primitive tools to break through pieces of rock. La Rinconada is situated over 5,000 meters high in the Peruvian Andes, on the edge of a gold mine. This 21st century El Dorado is an inhospitable place, where untold numbers of people live and work in the most precarious of conditions, hoping both for gold and a better life. Salomé Lamas has constructed a cinematic diptych to convey the extremity of this situation and the dimensions of its misery without having to resort to graphic images.

In Oct. 2006, the U.S. government decided to build a 700-mile fence along its troubled 2000-mile-plus border with Mexico. Three years, 19 construction companies, 350 engineers, thousands of construction workers, tens of thousands of tons of metal and $3 billion later, was it all worth it? When Arizona recently enacted one of the most extreme immigration laws in the country, the Obama administration responded by filing a lawsuit against the state. This dispute was merely the latest symptom of a greater national problem: the lack of a comprehensive, workable U.S. immigration policy. In its place, lawmakers have resorted to a series of half-measures, the most expensive of which — the U.S.-Mexico border fence — extends through the desert 150 miles south of the Arizona state capital.