Times of Innocence

La bande à Fifi : plus besoin d'Alibi

What if you went on a holiday... and the apocalypse happened?!

Un Français nommé Gabin

Sean Penn is almost a living legend. His filmography paints a picture of an 'other America': the lower class, the oppressed and the outsiders. Whether as an actor or director, he turns all the great myths upside down.

Herr Siebzehnrübl

The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?

After discovering more than 100 Super 8 reels in his great-aunt's basement, a young filmmaker reflects on the value of these movies and his family's legacy.

In the form of a gripping social thriller, Saeed Roustayi's "The Law of Tehran" (2019) offers a striking insight into the war declared on drug traffickers by the authorities. We look back at the making of a film that revealed the extent of the drug scourge in Iran today.

Hearing Films is a portrait of Joe Sidarose, a blind film lover who experiences cinema through sound, rhythm, and feeling. His world of film is shaped by voices, music, and the spaces between them, where stories come to life in ways beyond sight.

A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.

A final meeting with Jean-Luc Godard. This documentary shows the filmmaker preparing Scénario, his unfinished testamentary film, before closing with a moving scene: the final appearance of a genius driven to the very end by a love of cinema. Consists of Exposé du film annonce du film “Scénario” and Scenarios combined together for TV.

Alain Cavalier is a childlike nonagenarian, a filmmaker who turns his immediate surroundings into an escape route. Yves Jeuland offered to create a portrait of him, somewhat 'in his style.' The rules of the game: five meetings in the small studio. The result: a funny and sensitive journey with this pioneering and enchanting figure of cinema, capable of doing more with less.

Three Mexican filmmakers — Max del Río, Gabriela Ivette Sandoval, and Hugo Villaseñor Alcázar — share their processes and challenges around a single question: How can an independent film get seen? Through the eyes of insiders, the documentary reveals the complex journey behind making cinema visible in Mexico.

In 2017 Tyneside Cinema turned 80.

A concert film documenting a performance from the Houston artist Orpheus Von Doom.

Paris, un jour de mai

A few months before his death, Polish filmmaker Andrzej Wajda (1926-2016) revisited his work in an assembly room of the Andrzej Wajda Master School of Film Directing, established in Warsaw in 2002.

A documentary about the shooting of the film "LIncroyable Femme des Neiges" in Greenland.

Emancipação e Primeiras Eleições - Historiando em Novo Barreiro

Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work