Cholbon

A year in the life of Valentina Romanova, whose fate, as she herself says, is like a mystical thriller and an ancient tragedy.

Taking the form of a travel diary of a television journalist, this documentary tells about the life and work of the people of Yakutia: pilots, artists, drivers, and reindeer herders.

A documentary road movie. Traveling across his homeland, the filmmaker explores what Yakut cinema is, and what it means to the Sakha people and to himself.

Documentary by Dmitry Davydov

She is a healer. A hermit. A Fool-in-God. She is a little over forty years old. She doesn’t disdain alcohol. She can be ridiculous, humiliated, offended. She has long been indifferent about herself. Everybody avoids her and is afraid of her, but secretly at night they all hurry to her home. After all, only she can get rid of their illnesses. For her, this is a damnation, and each time she swears that she won’t help people any more, but each time she is unable to refuse them. She knows that her gift will ruin her some time, but she continues to be the only chance of salvation for people.

Short film by Dmitry Davydov

The film shows a few days from the life of a simple young, rural boy who has life difficulties: can't find a job and pay off his mortgage, but still with a good heart – helps a lonely, sick grandmother chop wood, light the stove and buy food.

Amateur film by Dmitry Davydov

Short film directed by Evgeny Nikolaev

A military drama about the fate of yesterday's schoolboy, a modest young man from a remote Yakut village, who became a fearless Soviet warrior in the year of trials. Not having time to experience the joys of family life with a young wife, the hero says goodbye to her and goes to the front. The film highlights the heroic fate of the Yakut soldiers during the Great Patriotic War, based on the true events that took place on Lake Ilmen in the Novgorod region, and the equally tragic fate of those who remained in the rear - Churapchinsky immigrants who were forced to leave their native places.

Simple guy Diulus never had any luck in his life, but one day he was lucky, he won a large sum of money... to return home with a win, you need to pass the tests that you will overcome with your best friend.

A young couple encounters supernatural terror in their new home.

XIX century. A big misfortune happened on the land of one wealthy family in Yakutia. As time passed, fear was forgotten and farmers started settling here again. But ghosts of this land will reveal secrets of forgotten history.

A documentary about a small touristic village in Algarve, Southern Portugal.

10 January1946, the antennae of Camp Evans emit a short signal with very great power towards the Moon. A little more than two seconds later, they capture a slight echo. This was the first success for Project Diana, two years after its launch. Giving form(s) — in all the senses that this term may include — to what is invisible is at the heart of Simon Ripoll-Hurier’s practice. From amateur radio operator clubs to ghost hunters, from bird watchers to the drums that could send signals on battle fields, the challenge here is to successfully establish contact with a distant, absent being, by using much more mysterious means than those inhabiting our daily lives. So, although the machine appears in diverse forms, the challenge is probably more linked to the immaterial, to the silence or to the background noises that constantly disturb the efforts and attempts

After the passing of her mother, Lorena finds the diary that she kept all her life. The entries allow her to discover a different woman. Having grown up in the worship of her father who fought as a partisan during the war, Lorena realises that she must start digging in the secret story of her mother if she wants to understand aspects of her own life. The pages of the diary feel like a book from another time. Working as a nurse, her mother was covertly working for the partisans passing them intelligence that she astutely acquired from wounded German soldiers by administering more morphine than usually required to ease the pain.

Because of her age and fragile health, an old Russian lady has to share her apartment with her niece and four grandchildren. At every moment, the calm she enjoyed, her fine family keepsakes, and also her beloved piano, are in danger, under the impetus of the wild energy of the kids. The two worlds, forced into cohabitation, could not be more distant from each other: on one side, what remains of an affluent class, on the other, the “proletariat” as much in the literal sense as in the figurative one. A question hangs in the air: will the members of this family manage to find a place for each other in their hearts? This is a charming little documentary comedy, a one-room drama which, like a Russian story from the last century, is seen like a shadow of the world.

In the event of natural disaster, turn off electricity and gas, hide your valuable objects, lock the house, climb onto the roof, and maybe you will survive. Natasha, 12 years old, knows these instructions by heart. So, while waiting for the storm, she laughs and fights, suffers heartbreak, attempts to negotiate the purchase of a new swimsuit with her father. With zest and delicacy, with clear complicity with the body of her young heroine, Elizaveta Kozlova captures the details of a day-to- day life which, although ordinary, never seems insipid, so deeply is it infused with the contagious energy of the protagonist. And as the lines of contemporary Russian society and its problems are sketched out, In the Eye of the Storm reveals itself as the portrait of a character undergoing tremendous change.

A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.

DEFA made several science fiction films that are hardly known today. These productions, called "utopian films" in the GDR, show astonishing technical achievements. ...Science fiction at DEFA was never a war of the stars, no alien invasion, but in most cases an establishment of contact with the alien via signals, a recurring plot motif. Communication instead of confrontation. These films provide information about the image of a coming socialist society, about expectations and hopes, and they were counter-images to the officially condemned Western SF art.