Кыыс Амма

Short film by Dmitry Davydov

Amateur film by Dmitry Davydov

Айыы уола

Holding hands, Dayaana and her beloved only daughter Sandaara, walked through an endless forest for a long time. Eventually they reach a distant, unrecognized village full of strange inhabitants and strange happenings. The residents themselves are astonished by Dayaana since they cannot see her daughter...

She is a healer. A hermit. A Fool-in-God. She is a little over forty years old. She doesn’t disdain alcohol. She can be ridiculous, humiliated, offended. She has long been indifferent about herself. Everybody avoids her and is afraid of her, but secretly at night they all hurry to her home. After all, only she can get rid of their illnesses. For her, this is a damnation, and each time she swears that she won’t help people any more, but each time she is unable to refuse them. She knows that her gift will ruin her some time, but she continues to be the only chance of salvation for people.

The story unfolds in an alternate reality. Chee-Ke works for the "dance police". By the will of fate, he has to quit. For three years there is no news about the hero. But suddenly the singer Kunnei is kidnapped by the villain Bachata, and Chee-Ke is forced to go on the warpath. The policeman and his assistant must defeat the kidnappers in dance battles.

A young couple encounters supernatural terror in their new home.

The film shows a few days from the life of a simple young, rural boy who has life difficulties: can't find a job and pay off his mortgage, but still with a good heart – helps a lonely, sick grandmother chop wood, light the stove and buy food.

Simple guy Diulus never had any luck in his life, but one day he was lucky, he won a large sum of money... to return home with a win, you need to pass the tests that you will overcome with your best friend.

Short film directed by Evgeny Nikolaev

A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.

Quarry workers and construction sites. Private neighborhoods. Paleontological digs. The earth unites and separates all of them, and everyone has an interpretation of how this world should be inhabited. The documentary follows their interests to build a story about the expansion of the city and its consequences.

Genie Français – Les Fortresses de Vauban

A building lost in the midst of a 5 000 hectare park, that's the equivalent of the surface of Paris, Chambord is the castle of all superlatives. Having required nearly 220,000 tonnes of stone to build, the Chateau de Chambord, in the Loir-et-Cher department, is an architectural gem. 156 metres of facade, it has more than 70 staircases, 282 fireplaces and 426 rooms. The castle commissioned by Francis 1st in the 16th century is also the most mysterious. The majestic monument has its share of mysteries: identity of its architect, influence of the Florentine painter Leonardo da Vinci in its design, location in the middle of marshes in the heart of the forest and even longevity because it has survived through time without being damaged since the beginning of its construction in September 1519.

Documentary which traces the story of Live Aid from its humble beginnings, a pop tune cobbled together in the back seat of a taxi, to the eve of the biggest televised event ever. Artists from the time tell the story of the day that music rocked the world. Organiser Bob Geldof recalls how after 12 weeks of manic preparation, the big day finally arrived.

A closely observed portrait of a single man in his 40's who lives in St. Kilda. Although he has none of the trappings of conventional existence, Kelvin's obsessive interest in born again Christianity, physical culture and recent German/Jewish history has given him a way of making sense of the world and led him to a number of people, friends through whom we see something of his life and beliefs.

Work is becoming more service oriented and more and more services rely upon us doing harm to each other. In most people's lives, work operates as a degrading and debilitating force. It disables people's critical and perception capacities. Unless workers assume responsibility for evaluating the meaning and implications of the work they do, there will never be the capacity to redirect the modern work institutions from their courses of violence and exploitation. Built in seven parts which correspond to each day of the week, this film studies the relationship between work being done and the nature of the people that are doing it.

The film details the independent electronic scene of the 80s and 90s in the industrial city of Izhevsk (USSR). Today so called "Izhevsk electronic wave" is an important underground phenomenon in the history of modern Russian music. Appearing: "СД", "Стук бамбука в XI часов", "Красивая пришла", Rodesia, "Самцы дронта", "Организация сна", "Новые испанские кролики", Velvet & Velvet Dolls, "Вторая африканская охота", Lancer, Virgo Intacta, Birdwood, Digital Meet, "Юка".

"Beti is a dancer in the Raiz di Polon company in Cape Verde. She receives an offer from Lisbon to join a Cape Verde music show and start a new career there. The offer unchains the deep-set Cape Verde conflict in her: identity built on the Diaspora century after century. Doubts, nostalgia, uprooting, they all soar over her and accompany her decision. The same dilemma that surrounds all Cape Verdeans, the yearning to leave, the yearning to return. Expressed and brought together around music, hallmark of the people of Cape Verde."

'Chinese Hip-Hop Underground' is an insider documentary following the story of Weber - one of Mainland China's first rappers. Weber's uncanny musical talents allow him to spearhead the creation of Chinese rap music - a free form of creative self-expression that spreads like wildfire amongst those struggling the most; young working class students and grassroots migrants left out of the country's meteoric rise. Even while Weber's music electrifies China's youth and gains a huge following, he is challenged by enemies posing a threat to his musical existence: state censors, on the one hand, and armies of state-backed pop stars seeking to steal the name of hip-hop for their own gain, on the other. Can Weber and underground musicians like him survive this assault? Will Underground Chinese hip-hop survive?