Dean Johnson, drag queen, rock star, LGBTQI activist, junkie, genius, escort then John Doe. How does someone so famous in New York die as an unknown in DC? This documentary explores the incredible highs and the crushing lows of Dean Johnson’s life and untimely death. Was it murder? Was it an accident? We may never know, but what is certain is that Dean and “the Big Johnson” changed New York City and all who knew him forever.
This documentary dismantles the black-and-white social stigma that has long been attached to the punk community and often shaped by narrow misperceptions that equate it with deviance. Through an empathetic approach, the documentary “Screams on the Streets” portrays the daily lives of punk groups, aiming to create space for public reflection so that identity is not used as a basis for discrimination against others. The message we seek to convey is simple yet deeply significant: remember that human rights are universal and cannot be limited by class, race, ethnicity, tribe, culture, appearance, or any other distinction. Our hope is to open new perspectives and highlight that human rights are not reserved for a select few, but belong to all people on this planet. Punk is not a crime.
In Medellín, Cuchas, a Queer punk band, challenges a scene that claims to be rebellious but rejects new forms of dissent. Through their music and daily lives, the documentary follows their journey of identity and resistance in an environment that makes their existence uncomfortable.
Lorraine Carter lives a quiet, contemptuous life in the mundane suburbs of Lincoln. She is restless, discontented and dreams of what once was and what could have been. Having once lived on the road, gigging as the lead singer in a punk band, Lorraine was a real rock star, or came close to being one. With the band's burgeoning dreams being cut short, and life sweeping her forward, Lorraine's life as a proud punk-rocker seemed over. Swapping punk for a nine-to-five, and the microphone for motherhood, Lorraine watched from the margins as her life sped by. Beaten, forgotten, and belittled by the world around her, Lorraine grows tempestuous. She yearns to reclaim her creative identity, to express herself and to fight for what she believes in. She prepares to come to terms with her past, to overcome her fears, and to take the stage once again. With a microphone in hand, she sings a simple phrase. Keep the faith, it’s all we’ve got.
Post-Democracy Days follows a young journalist covering Donald Trump’s trial in New York City, where unexpected relationships form amid political spectacle, ambition, and a nation struggling with division.
In three parts this DIY-documentary focuses on the lives and times of german punks of the generation Y.
London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.
A documentary chronicling the history and final days of the Crayola House, a legendary DIY punk venue in Harrisonburg, Virginia. Through archival footage, live performances, and interviews with musicians, artists, and former residents, the film captures the spirit of a community built on music, creativity, and collective resistance as it faces displacement and the end of an era.
A powerful documentary about the lives of teens and young adults as seen through the gender lens. Approaching society's ideas and ideals of gender through clothes, sexuality, sports, dance, safety, consumerism and emotion, the film addresses the complexities of conceptions of masculinity and femininity for Generation Z.
A home video style documentary following a band of trans women as they tour westward across the United States and Canada.
Documentary about punks of the city of São Paulo and its difficulties, struggles and ideals, the importance of music in the universe of its ideology, interviews and images of shows of some musical groups like Ratos de Porão, Inocentes and Fogo Cruzado.
In 1949, philosopher and novelist Simone de Beauvoir wrote the groundbreaking The Second Sex, launching a disruptive discourse on women’s oppression and second-class citizenship. This film dissects the origins and relevance of this bible of feminism, charting de Beauvoir’s fact-finding journey across the US to research her book. The timely and fascinating film honors de Beauvoir’s brilliance and limitations, connecting her revolutionary ideas to the pressing issues women face today.
Two legends contested their identities as women in the court of public opinion: April Ashley, who was immortalized as a trailblazer by embracing her transgender history; and Amanda Lear, who has consciously denied and obfuscated her history for decades. Their divergent paths reveal disparate but intertwined legacies.
Three people wandering the streets of Łódź on hot summer nights, discussing everything and nothing.
Três cortes para Glauber
A seven-part "making-of" documentary featuring Jon Favreau, visual effects supervisor John Nelson, Embassy VFS supervisor Winston Helgason, 3D artist Paul Copeland, lead 3D artist Michael Blackburn, Orphanage VFX supervisor Jonathan Rothbart, visualization/HUD effects supervisor Kent Seki, HUD design supervisor Dav Rauch, ILM VFX supervisor Ben Snow, animation director Hal Hickel, view painter Ron Woodall, model supervisor Bruce Holcomb, VFX art director Aaron McBride, composing supervisor Jeff Sutherland, and technical director Philippe Rebours. It visits the three effects studios that handled Iron Man - The Embassy, The Orphanage, and ILM - and examines what each one did for the film. It goes through the appropriate effects topics in a solid manner that gives us a good idea of the challenges and their solutions.
At the 1996 Atlanta Games, the Magnificent Seven became the first American women to ever win gymnastics team gold. Sixteen years later, in London, the Fierce Five joined them in the history books. Relive all the excitement as Gabby Douglas, Aly Raisman, Jordyn Wieber, McKayla Maroney and Kyla Ross take the lead from the first rotation and never look back on their way to gold. Follow Gabby Douglas on her way to the podium to make it three straight American gold medals in the individual all-around competition. Every individual event final is featured on this DVD, including Aly Raisman's historic gold-medal performance in the floor exercise, her bronze on the balance beam, as well as McKayla Maroney's silver medal in the vault.
A strong and fast-paced overview piece that looks at the picture's set design, the inspirations from various versions of the comic, costume construction, and filming locations.
Voleurz' That’s Fine documents the antics and exploits of the infamous Voleurz Family, comprised of skiers, snowboarders and skateboarders, making the multi-sport offering one of the most well-rounded and diverse films in the action sports world. Highlights include snowboarder Justin VDP slaying pillow lines in the Whistler backcountry, freeskier KC Deane's jaw-dropping big mountain segment, a raucous urban trip to Ontario with Scott Sych & Matt Brindisi, the unique style of one of skiing's most imaginative individuals, Max Hill (along with the highly entertaining return of Max Hill vs The Intern), skateboarding the streets of Vancouver with Tyler Holm, and of course, the hilarious and not-to-be-missed Winter Volympics. As voted by fans, That’s Fine won Best Web Video of 2011 on ESPN.
Voleurz' eighth feature-length film showcases the antics and exploits of the Voleurz family, and features snowboarders and skiers forced against each other in an all out bloodbath. Who will take the throne? Kill Your Boredom highlights include riding from newly appointed Voleurz snowboarder Geoff Brown jumping unique road gaps and adding a double cork in the backcountry to his already heavy bag of tricks; skier Rob Heule shows us what it takes to be skiing’s up-and-coming urban slayer, proving that the infamous 5-kink elbow rail in Calgary is actually possible; and of course, the hilarious and not-to-be-missed Winter Volympics will once again leave your mom asking, “who are these morons?”