Manufractur

A delusional young woman mourning the loss of her cat receives a visit from an unexpected visitor.

A fictional documentary discusses the effects the Iraq war has had on soldiers and local people through interviews with members of an American military unit, the media, and local Iraqis.

Ten groups of kids from various parts of Finland, aged between 12 and 15, improvise an episode each based on one of the Bible's Ten Commandments.

It’s New Year’s Eve and while the Brussels’ city streets are teeming with drunken revelers, the paths of two solitary souls will cross. Max, a poor sod, is drowning his existential confusion in alcohol. Julie, a young woman, finds it impossible to reconcile herself with the bitter realities of her life. But on this festive night, they’ll try to put aside their personal mess and painful pasts. Unfortunately, that past remains hot on their heels. Max’s urgent money needs drove him to commit a robbery with a trio of idiots. Juliette missed a meeting with a bottle of sleeping pills and feels the urge to try again if she can’t find anything worth living. The clock is ticking away to midnight. Whatever happens, there will be fireworks!

When a video showing a mysterious giant creature appears on social media in Barbados, a trio of video journalists decide to investigate.

A young sailor dozes off in the grass in Frederiksberg Have and wakes up surrounded by supernatural fairylike creatures. They take him to the mermaid Capriciosa, who gives him a magic, inexhaustible wallet. The only rule he must abide is never to share his fortune with his family. (stumfilm.dk)

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.

A psychiatrist and his needy patient discuss their relationship in a snow-covered field.

Ordinary young couple Gemma and Richard have just bought their first home and are expecting a baby. It's all very exciting, and the couple settles in nicely to their new pad. Except for the screaming and shouting they hear at all times of the night through their walls from the house next door. Listening more closely, pregnant Gemma is convinced that she's also hearing cries and smacking noises, which she is certain are the sounds of a toddler being abused. She and Richard have seen the child just once, but not since. Feeling morally obliged to act, the couple gather as much information as possible about what's going on next door. And after social services say there's nothing to worry about, Gemma becomes increasingly obsessed and she starts to spy on them in a way that raises questions about who is actually committing the crime — Gemma's neighbours, or Gemma?

In a world where some children are able to fly, one girl is placed in an institution until she learns to keep her feet on the ground. She spends her life trying to be normal, even when a romance prompts her to unleash her special talent

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

Clarisse

Petek is very versatile and is experimenting with all possible formats, the Zagreb film school of animation-influenced parts, the quasi SF childish games, the color splashes, the psychedelic timbres, the pop art/ collage experiments and a swirl of other 60s gestures.

Us Reborn (Ô Truie) is an experimental short movie showing human and trash organicity.

Experimental film by Ivan Martinac.

Old cinema creates new cinema in a new context. Stolen old images, someone’s audio track, someone else’s soundscapes – they re-create, reinventing interactions, relations and dialogue in familiar footage. Telling new stories. Transforming it back into cinema.

A villager stumbles across an alien's corpse. Convinced it is somehow related to his missing son, the villager doggedly guards his mysterious new find.

Synopsis: A rabbit couple tries to survive in a dying forest...

“A portrait of Carla Liss, evoking the atmosphere of the old horror films we both loved.”

A wild boy is found in the woods by a solitary hunter and brought back to civilization. Alienated by a strange new environment, the boy tries to adapt by using the same strategies that kept him safe in the forest.