Bona Ride's Again : un p'tit tour de machine électorale dans l'arrière pays du comté de Matapédia, au Québec. Élection 1973.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

A little girl catches floral patterns with a magic cloth and uses them to make her own pretty dresses. Every night, ants move her house from one field to the next. One day, a seed drops into her mouth and a young shoot sprouts from her navel.

La bande à Fifi : plus besoin d'Alibi

Les dieux de Molenbeek

The story of a Grandmother who swims every day in the sea whatever the weather.

Enrico Mattei, le rebelle du pétrole

Achour is thirty. Night and day, he walks. Rebellious soul, he crisscrosses Alger and its neighborhoods, stays at friends' houses and often leaves the city to meet the nearby montain in Kabylia, his alter-ego. In this environment his resistance continues, mobile and ascending. Algerian hardcore-punk musician, Achour once screamed his anger against the country's regime and sang "Anarchytecture". But the movement died down, friends went their separate ways. His Facebook wall became his notebook, his window open to the world. It represents a scream aimed towards the echo of the mountains, between virtual wall, infinite facades of large complexes and the strata of mineral cliffs. A scream comes back at us.

André Minvielle, l'homme à la manivelle

Rolland, a 70 year-old man, exiled by his family due to his sexual orientation, makes peace with the past by finding himself in a small ghost town in the western part of Jalisco, San Sebastián del Oeste. Almost 40 years later, he wants to go back to his hometown, try to regain his daughter's love and be a part o his granddaughter's life.

Sean Penn is almost a living legend. His filmography paints a picture of an 'other America': the lower class, the oppressed and the outsiders. Whether as an actor or director, he turns all the great myths upside down.

Annedore takes care of orphan birds. They give her that which humans througout her turbulent life could never give her: love.

Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early twentieth century. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.

Herr Siebzehnrübl

A man tells the story of his three cats.

Ilyes Djadel : en vrai de vrai

Adapted from famous French actor Philippe Torreton’s best-seller, GRANDMA is the portrait of the actor’s grandmother: a modest, unique but universal Norman peasant. Enriched with amateur films, nourished by major historical events, GRANDMA also tells the story of the end of a world, that of the countryside of our grandmothers, before the abyss of modernity.

Il mio nome è Battaglia

À la hauteur

"It takes courage to accept growing old. It's the response to the cruelty of passing time that I wanted to film." (Xavier Liébard) A group of elderly people decided to live their journey through middle age to the fullest. United in the same small group for over fifteen years, they chose to share their vitality through song with others, those whom old age has excluded from the social, familial, and human experience. Against all odds, "The Joyful Companions" are active and committed to maintaining the social connections that bind them to life. But what strategies, tricks, and struggles they must invent to live old age with hope... Xavier Liébard Director, Writer

Ivan, first tsar of Russia. History will remember him as "the Terrible. Russian people love him for centuries. He liberates Russia from foreign oppressors, demands absolute obedience and loyalty in order to radically modernise Russia? Ivan IV, Grand Duke of Moscow, first Tsar of Russia by the grace of God. A madman? A sadist?