JUMPER

Federico Buffa racconta: i Diavoli di Zonderwater

Mandela’s legend is built on his absence, during his 27- year incarceration. In 1990, when Nelson Mandela is released, South Africa is waiting for their Messiah. But he doesn’t know it yet, he is the most famous political prisoner of the Planet. Will he be up to the challenge?

In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.

The Foreigner Story: Feels Like the Very First Time

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Long a target for poachers, the rhino has been hunted for their horns across Africa. In The Last Horns of Africa, debut documentary feature director Garth De Bruno Austin follows those who are putting their lives on the line to protect the animal, from a hidden rhino orphanage to the Kruger National Park. With unparalleled access the filmmakers have created a compelling documentary that explores conservation, the illegal wildlife trade, and rhino poachers.

Shot in New York, Cape Town, St Helena and the Atlantic Ocean, Sathima's Windsong, is a lyrical portrait of South African jazz singer, Sathima Bea Benjamin. In her Chelsea Hotel apartment, home for over thirty years, she patches together her journeys, from apartheid's 'pattern of brokenness', to a chance meeting and recording with Duke Ellington in Paris, to making a life in New York. The narrative of her journeys are inter-woven with her music and the musings of folks who know her work. Like her haunting song, Windsong, the film is a meditation on displacement, exile and belonging.

South African producer / director JON DAY spent the last 5 years making a documentary about the mysterious rap-rave group, DIE ANTWOORD. Art directed by surrealist photographer, ROGER BALLEN. Narrated by NINJA & ¥O-LANDI'S daughter, 16 JONES.

Explores the deep bond between Nelson and Winnie and their marriage in the struggle against apartheid. An intimate portrait of their connection from the early years through to the dismantling of apartheid and Mandela's historic presidency.

The struggle to eradicate apartheid in South Africa has been chronicled over time, but no one has addressed the vital role music plays in this challenge. This documentary by Lee Hirsch recounts a fascinating and little-known part of South Africa's political history through archival footage, interviews and, of course, several mesmerizing musical performances.

In 2015 a lion in Zimbabwe named Cecil was killed by Walter Palmer, an American dentist, provoking a global outcry. The story of Cecil’s death turns the gaze back on to us and our behaviour. The simplicity of the outrage is a stark contrast to the complexity of the reality.

Newly discovered audio interviews with Nelson Mandela himself delivers an honest, accurate and definitive depiction of the man who remains a global symbol of justice, hope and universal human dignity.

Life in Progress

Included in this groundbreaking work are interviews with active farm attackers and serving police officers who confirm corrupt police are complicit in the mass‐slaughter of South Africa’s whites. Their truths are horrifying—a man and woman branded with hot irons and left to die. A husband killed in front of his wife and children. An elderly woman raped, another with half her face blown off from a shotgun. And they all share a common thread: revenge. This is a disturbing documentary—it wrought both an emotional and physical toll on all involved. What’s more, Katie was detained at the airport in South Africa on the orders of the African National Congress (ANC) for her work on this project because Plaasmoorde is the story—the truth—they don’t want you to see. We owe it to the victims—to our fellow man—to listen and to open our eyes to the truth.

Many Zimbabweans have fled their economically stricken country, but they do send a lot of money home: in 2021 remittances totaled more than a billion dollars. One such migrant is Frank, who has emigrated to Cape Town. His brother Miles and sister Portia live in the UK, one in London, the other in Luton. His other sister still lives in Zimbabwe, but their mother MaMlilo thinks that she should also emigrate.

Joanna Is Skywalking

At a South African sanctuary, Luke Cornell provides a second chance for wildlife, confronting the harsh realities of poaching while revealing the deep emotional bond between the animals and those dedicated to their care.

A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.

Two halves split by the perseverance of a scorpion. Come on, feet.

The film documents the key political issues in recent years in South Africa that have marked the demise of the African National Congress (ANC). These include the Marikana massacre in August 2012, whereby 34 striking miners were gunned down by the ANC government's police force. Rehad Desai documented this historic event in his 2013 film MINERS SHOT DOWN. He refers to the incident once again in his latest film and shows how the ANC is undermining its close connections to the trade unions it set up as a freedom movement under Nelson Mandela, and how students have also turned on the party to protest against tuition fees under the motto #FeesMustFall. The film's compelling footage unmasks the cynical despotism of corrupt president Jacob Zuma, who is chiefly responsible for the ANC's demise and its catastrophic losses at the most recent elections. It also introduces opposition movements that are challenging his now-untenable position.