Occupation 101

In 1941 Hitler deported over 2000 British men, women and children from the Channel Islands to the heart of Nazi Germany. It was a terrifying journey into the unknown and some killed themselves rather than go. Others had just hours to pack one bag, destroy their pets and leave. However, the initial horror of the camps and the struggle to survive in the primitive conditions was replaced with a determination not just to survive, but to thrive, as Hitler's crime created one of the most bizarre episodes of the war.

In 1940 the Channel Islands became the only part of Britain to fall under Nazi rule. Now in this film Islanders speak from the heart about one of the most extraordinary periods in our history. Reliving in their own words the horror of the first air raids, the shock of occupation and the islands' gradual five year long decent into privation and starvation before experiencing the capitulation of the German forces and the joy of liberation.

As soon as Hitler's forces occupied the Channel Islands in 1940 he ordered a series of fortifications to defend the only British territory he ever conquered. The problem was he never stopped - pouring men, concrete and weapons into the islands. By 1944 his officers talked of the Fuehrer's inselwahn - his 'island madness' and the Channel Islands had become the most fortified place on earth.

In 1940, carried on a wave of rumour and panic, thirty thousand Channel Islanders fled their homes, their livelihoods and the islands for five long years in exile. Arriving in England with just one small case and only twenty pounds in cash, they were sent by rail across the country from Oldham to Glasgow. Children separated from parents, all cast adrift in an alien culture. Homeless and jobless, the adventures that befell them helped forge friendships the length and breadth of Great Britain which survive to this day. This is their story.

In 2007 Livi, a photography student, moves into an empty building in downtown Haifa. Just before her loneliness urges her to leave, Shahar, Zvi, Iddo and Talia move into that very building - young artists themselves. The friendship ignites in an instant and when Zvi can't pay his rent, they decide to rent a space together, half of which will be Zvi's dwelling and half - an art gallery and bar. The joint work thrives and their voice is heard across the distance, but cracks begin to show, the gallery closes and they disperse. For 12 years, Livi follows their journey to fulfill their dreams as they face the reality of livelihood difficulties, manic depression and alcoholism, unfolding both intimately and lovingly, revealing the story of five friends and their maturing process.

In the nearly 50 years since Israel's decisive victory in the 1967 Six-Day War, hundreds of thousands of Israeli citizens have established expanding communities in the occupied territories of the West Bank. Frequently coming into direct conflict with the region's Palestinian inhabitants, and facing the condemnation of the international community, the settlers have been viewed by some as the righteous vanguard of modern Zionism and by others as overzealous squatters who are the greatest impediment to the possibility of peace in the region.

Over 4 hours of rare footage of both CV-8 and CV-12, including the film "The Life and Death of the U.S.S. Hornet, footage from the Doolittle raid and CV-8 at Santa Cruz. Features footage from the launching of CV-12 through her WWII service, including flight deck activities, gun camera footage and more. Also includes footage from the Hornet's recovery of Apollo 11 and 12. Bonus features include a Navy Training film on catapulting from a carrier and film on Torpedo Squadron 8.

Propaganda of the development of the Jewish community in Palestine.

Five women – Palestinian, American, Muslim, Christian, and Jewish – tell stories of humiliation and harassment by Israeli border guards and airport security officials.

Explore how one man's relentless drive and invention of the atomic bomb changed the nature of war forever, led to the deaths of hundreds of thousands of people and unleashed mass hysteria.

Ze’ev Vladimir Jabotinsky? Most people don’t know much about him. Most people know he was the father of Herut movement, a revisionist. And who really knows what revisionism really means. A few people know that he translated Allan Poe’s Annabel Lee; even fewer read his historical novel, Samson. The Raven tries to fathom Jabotinsky’s deceptive character. The film follows his conflicted, controversial character, the meaningful choices, desires and abilities that eventually led him to end his life prematurely but left a huge mark on Zionism and Israel. - See more at: http://nfct.org.il/en/movies/the-raven-zeev-jabotinsky/#sthash.WoPKutbi.dpuf

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

Close to 80,000 Syrian refugees live in the Zaatari Refugee Camp in Jordan, the second-largest such camp in the world. Fifty-eight percent of its inhabitants are children. After Spring immerses us in the rhythms of the camp, the role of the aid workers, and the daily lives of two families as they contemplate an uncertain future.

By the age of thirty he’d already become the most famous poet in the Jewish world. He spent very few years living in Tel Aviv, but he loved the city dearly. Some 100,000 people attended his funeral in 1934. “King of the Jews” is a portrait of the most beloved Jew of his day, Chaim Nachman Bialik. Combining special animation, a voice track by Chaim Topol, rare archival footage, long-forgotten photographs, poems by Bialik performed by Ninet and interviews with the foremost Bialik researchers and fans in Israel and around the world, this film retells the story of the little boy from the shtetl, who became King of the Jews.

War and Peace of Mind explores what war does to the human mind and how both, the individuals and the nation as a whole, survive it psychologically. Finland and WWII, locally known as continuation war, is the backdrop of this documentary.

The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.

It is the story of a little hair salon in the heart of the Arab community in Haifa (Israel); it is the story of a friendship between Arab and Jewish women in the city, which is considered a model of coexistence; and it is the story of Iris, the director, who worked as a hair washer at the salon so she could get to know women of the neighbourhood. Through her interaction with the women, in this unique frame, Iris wishes to tell the story of the community from the personal experience of the film's subjects, and to explore what it reflects of Israeli society.

Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton. This role is made even more poingnant when they visit the eldest son who is a cadet in the 99th Pursuit Squadron.

Personal stories from civilians, children, soldiers, doctors, the country’s elderly, journalists, religious leaders, and international volunteers - a handful of the millions of people whose lives have been turned upside-down by nine years (and counting) of Russian aggression against Ukraine.

Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.