The railway runs kilometers through the forest. Shikhamani is the most honest and efficient gang man. He lives in the nearby village. Quite unexpectedly a girl enters his life and the resulting events are plotted.
Sughu falls in love with the daughter of a rich man. In order to marry his lover, he seeks illegal ways to make money, but life takes a turn when his plans become flop.
A band of displaced untouchables in Western Ghats of India embrace Buddhism in order to escape from caste oppression.
Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.
Damanan and Madanan are thieves, who have been trying to pull off a good burglary. The break-in they plan goes downhill and the duo jump into a river in an attempt to escape. They lose consciousness while swimming, but both see a dream in which they are washed ashore in a land sans commercialization.
Rameshan, who has great love for cricket, fails to become a cricketer in his life. However, he tries to fulfil his dreams through his son when he realises that the child too has a passion for it.
A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
Compartment is a docu-fiction movie which takes us into the life of two differently-abled children.
The story focuses on a woman who marries a man against the wishes of her family only to have him leave her. Will she succeed in bringing up her family all by herself while working at the same factory as her husband?
Robert Estragon has worked his way to the top of the food chain as a doctor in the city, but it has driven him to self-imposed delusion. Here, we listen as he sits and projects himself onto the mad world he observes. It all comes to a head when Willie Krapp, a young colleague, invades this world, hoping to teach Robert that it was wrong to let his own daughter die in the operating room.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
Two teenagers set out on a 2000-mile sailboat journey from California to Hawaii and en route combat the natural challenges and their inner shortcomings.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
The nine-year-old Nikolas has been missing for days. The criminal psychologist Claudia Meinert notices contradictions in her conversation with the parents of the missing child. In particular Nikolas' mother appears to be hiding something. When a video of the missing Nikolas surfaces, showing him tied up in a cellar, the trail leads to his school. The 13-year-old Leon and Mathilda strike the psychologist as conspicuous and provocative. Shortly afterwards, Meinert encounters the children with Nikolas' parents at the local swimming pool and her suspicions are confirmed: the parents are entangled in an insidious father-mother-child game with the possible suspects Leon and Mathilda. Now it is up to the psychologist to resolve the dark mystery of Nikolas' disappearance and save the child.
Thalappavu (English: The Headgear ) is a 2008 Malayalam film loosely based on the events related to Naxal Varghese and Police Constable P. Ramachandran Nair. The film portrays the social and political issues of the Naxalite era of the 1970s in Kerala.
Prasannan, a recently released mental asylum inmate, claims to be an avatar of God and assumes the identity of Poornananda Swami.
Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
Maradonna (Shanthnoo) is an aimless youngster who likes to waste his time doing practically nothing other than fooling around. For him everything in life is Oru Rasam (just fun). He likes to take the easy way out and lacks focus in his life. He is the only son of Joseph (Lalu Alex), a Banker and Mary (Ambika), who dotes on him. The only person who has a soft corner for him is the beautiful Sofia (Nithya Menon) who has a limp and is the daughter of a failed filmmaker, Kuruvilla (Vijayaraghavan). Maradonna messes up his life by getting into company of friends and starting an internet café that fails and to recoup his losses and attracted by ‘easy money’ he gets into drugs. Soon he is conned and loses everything after pledging his house to a ‘blade’ moneylender (Salim Kumar).