Pareeth Pandari

'Loka Samastha' talks of the tale of Chithal Rajan (Kalabhavan Mani), who had witnessed his dad being slaughtered by the cops in cold blood. Rajan emerges to be a revolutionary who flees from one city to the other, with the police hot on his heels.

Gopan, a tourist guide's life takes a change as an unintentional statement by him lands his rival, Kuraichan, into the police station and ruins the later's family life.

Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.

An old couple waits to see their grandson. But the only daughter abroad with her child is reluctant to come back. Meanwhile the boatman fails to solve the problem with his wife. She leaves the baby with the boatman and goes away. The decision by the boatman changes the world around the old couple.

Aana Mayil Ottakam is an anthology film. This is not really very common in Malayalam industry. But this concept is going on since ages and even legendary filmmakers like Satyajit Roy has tried this genre. It is always very interesting to see a collection of great short movies. You cannot get bored watching a movie like this. It is good to see that producers are interested in investing innovative concepts like this. Aana Mayil Ottakam is a compilation of short movies with some of the biggest names of Malayalam film industry.

Kuttappayi, a young boy, is miserable and desperate as he starts writing a letter to his grandfather from a place, dim and dark. Kuttappayi's recollections takes us to the picturesque locations of Kuttanad, where Kuttappayi and his grandpa, Valiyappachayi, are arriving with their ducks. The village is as pleasant as it can be even though what brings him there is the death of his dearest parents. With hope and freedom, he is about to start his life afresh among the village's letter-less postman, the nameless dog, the rich lad, Tinku and many more.

Prasannan, a recently released mental asylum inmate, claims to be an avatar of God and assumes the identity of Poornananda Swami.

Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.

Envisaging a luxurious life, Prameela, a theatre artist, marries a director. But all her dreams are shattered when fate makes her the sole breadwinner of her family.

Another mission with Mahadevan and crew, as they deal with international terrorism with a flight being hijacked by hardcore terrorists.

An aspiring animation creator's dreams start coming true when she is met with a charismatic young boy. Jo and the Boy is not exactly a children's movie, but more of a Hollywood-style inspirational film set in the backdrop of an unspecified cold hill town and centered on a child enamored by cartoon characters. In fact, the only connect with Indian reality is that the characters speak Malayalam.

The story proceeds in flashbacks as the protagonist, Dr. Gopi, who has had a nervous breakdown, relives his past under psychiatric probing.

Docu-fiction about the harmful effects caused by the unethical use of the pesticide Endosulfan in the plantations of Kasaragode district of Kerala.

In a village named Ilavattam there lives a man by the name of Gopalakrishna Pillai. He is a man with diverse qualities. Basically he is a moneylender, but not the avaricious kind. He lends money at very low interest-rates but makes it a point to get his money back on the date agreed upon. The story takes a turn when a bank, named Grand Bank opens up in the village, offering to give out loans at very low interest. The manager of the bank is a young lady named Jayalakshmi. She has made her entry into the village with a very definite purpose. All this, plus the very different kind of bonding between Gopalakrishna Pillai and his mother, form the plot, which develops towards a very interesting climax.

Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.

It is the directorial debut film of Farook Abdulrahiman, startting Manoj K. Jayan, Tirtha Murbadkar, Vaiga, Kalamandalam Sivan Namboodiri, Babu Namboothiri, Manju Pillai, and Mani Pattambi in lead roles. It is about Kathakali actor, Kunhiraman and his relationship with his Guru, Asan. Gradually over the years, as the actor gets popular he becomes arrogant and takes to confronting with his Guru.

Maharaja Talkies is about Vimala (Urvashi) and her three sisters Ganga, Yamuna and Unnimaya running a film theatre that has been bestowed on them by their mother, before she died.

Kunjananthante Kada is a 2013 Malayalam drama film written and directed by Salim Ahamed. The film stars Mammootty in the titular role, as a shopkeeper, alongside debutante actress Nyla Usha while Salim Kumar and Balachandra Menon play other pivotal roles. The story is about a small-time shopkeeper in Kannur and his attempt to find his own place in a rapidly changing world.

Two brothers – Michel Rajamma (Kunchacko Boban) known as Rajamma and Vishnu Yohannan (Asif Ali) known as Yahoo. They are born to the inter-caste couple Yohannan (Saiju Kurup) and Rajamma (Tessa), who fell in love during their college days. After the sudden demise of their parents, they live alone in their ancestral property, a bungalow. After leading a carefree life, the duo plans to rent out their bungalow (which they call Bhargavinilayam) to different families.

A man and his family move into a house haunted by the spirit of an ancient queen.