Vidajena

A documentary film crew follows Diego, a newly turned vampire who struggles to adapt with the help of his vampire roommates. Between family disputes and clashes over vampire behavior, Diego tries to get used to his new bloodthirsty life while remaining true to himself and the people he loves.

The film depicts how the Church has adapted to the new security norms in the Covid-era, without renouncing to its rituals.

El que mucho abarca

A Latin American horror anthology where filmmakers from conjure shadows rooted in their land, their ghosts, and their history.

An aging Latin lover gets dumped by his sugar mama and must fend for himself in a harsh world.

Delphine, a disillusioned humanities teacher, makes an agreement with her students : they leave her in peace, as they get A+ grades. But these excellent results turn into a nightmare when the class is qualified for the Latin World Championships, in Naples.

Claudia, a friendly and cheerful young woman, is chatting on the phone with her sister as her wedding day approaches. However, one detail is worrying her family: no one has met her fiancé yet. Claudia reassures her sister by saying that he is, without a doubt, the man of her dreams.

A story of high school awkwardness, anxiety and ancient Greek philosophy, Samira Mian’s autobiographical animation Know Thyself recounts how a panic attack in 9th-grade Latin class sent her on a years-long odyssey of self-discovery. Entertaining and endearing, Mian’s portrait is also an insightful reflection on the inextricable connection between mind and body and the power of self-understanding.

Through small yet meaningful anecdotes and reflections, a handful of individual voices come together to form a collective narrative that speaks to the everyday lives and challenges of Latinos who have grown up in the contemporary US South.

Returning home to his native Puerto Rico after years away, 17-year-old Javi meets Luife and Kiki, two social misfits who flip his entire world upside down.

CARO Vapor II is an exercise in imagination and a redefinition of what Brazilian popular music can be nowadays. From Rio’s samba jazz transported to the streets of Conjunto São Pedro in Fortaleza to Baião meeting the productions of the Neptunes, the artist understands old musical proposals as dreams of possible futures, pillars in the construction of a country whose work remains unfinished. Digging through these ruins and working their echoes in the present, he dares to envision another future. The exercises of imagining the past that haunt us have been exhumed and rebuilt. While this unfolds sonically, Don L’s pen reinforces: the Global South is what matters. Don scrutinizes the aspirations of what it means to be Latin American nowadays, in a world where virtually all experiences are heavily filtered by the internet and those in power. Territorial construction is also mental, provoking the listener by repeating, in new terms, the question: how much of your dreams was advertising?

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.

Día a día

Colorful portrait of a subculture on the verge of disappearing: the hot, uncomfortable school buses that for decades served as Panama’s primary form of public transportation, seen through the eyes of one of their drivers. The British filmmakers themselves gave the film its Spanish title, La fama.

One year after the creation of the National Assembly of Community Representatives (1972), a new power structure established by the government, significant changes had taken place throughout the country. This documentary records the most important of these transformations, as well as the working methods of the Assembly. It follows the consultation tours organized by the Legislative Council, during which basic forms of grassroots organization are discussed at the community level. The film also draws a parallel between life in the countryside and in the city.

When a scheming fortune hunter finds his rich wife is not going to die as expected, he and his lover make other plans to get her millions.

A Latinx immigrant mother makes waves with a historic campaign to end the sharing of the Philadelphia police database with ICE.

Tornado rojo

An ironic portrayal of the days of the U.S. blockade of Panama, set during the dictatorship of Manuel Antonio Noriega, just months before the country was invaded by U.S. troops.